Wednesday, June 20, 2007

Where Coffee Houses Serve Tea

By Fatemeh Keshavarz - TAM The American Muslim - Bridgeton, MO, U.S.A.

Tuesday, June 19, 2007

Windows on Iran: 30/32

The news from Iran has both good and disturbing parts. Among the disturbing parts are further American action to create unrest in Iran, as is the Iranian government’s move to tighten its enforcement of the ladies dress code in public and of course the continued anxiety over the arrest of Dr. Esfandiari.

Good things include news of continued strong resolve among Iranian women to enhance their presence on the social and political scene by forming new coalitions as well as the usual great artistic and intellectual activity in the country.

One of my goals in these windows is to dispel the myth that reduces Iran to a culture of “villains vs. victims.” I would like you to see that regardless of the internal and global issues that Iran is dealing with, Iranians continue to be a lively, creative, humorous, and art loving people like any other in the world.

Here it is in the words of one of the major contemporary Iranian painters Iran Darrudi http://www.theamericanmuslim.org/tam.php?URL=http%3A%2F%2Fwww.payvand.com%2Fnews%2F07%2Fmay%2F1304.html

Or, read about the three-minute documentary that the renowned Iranian director and screen-writer Abbas Kiarostami made on the occasion of Cannes Film festival’s 60th year. Kiarostami included in his three-minute documentary, 24 top Iranian actresses whom he has worked with over the years: http://www.payvand.com/news/07/may/1226.html

(...)

A two-day conference I attended in Chicago was dedicated mostly discussing the subject of Sufism (the Islamic mystical tradition) with a number of fine scholars working on Iran and other parts of the Muslim world. Quite a few of these American friends/colleagues travel to the region regularly.

The subject of an article published in Sunday Times a day before the conference inserted a sad note into our otherwise happy discussions. The article called “Seeking Signs of Literary Life in Iran” made incredible claims such as: bookstores do not really exist in Iran, or the books Iranians read are good to be discussed only with their therapists!

(...)

An Iranian woman story-teller is already gaining a reputation as the first Iranian woman Naqqal (a performer of who reads/enacts stories of the celebrated Persian epic The Book of Kings by the 10th century poet Firdowsi of Tus).

Naqqals usually did their story telling in coffee houses (in fact, tea houses because they serve tea rather than coffee!). Do watch the clip, even if you don’t know Persian. It is about four minutes, and does not require much explanation.

Her voice recites the epic poetry in the background while you see images of her story-tellling, and of coffee houses in Iran: http://www.jadidmedia.com/images/stories/flash_multimedia/Gordtest/gordafarid_high.html

Fatemeh Keshavarz is Professor and Chair Dept. of Asian and Near Eastern Languages and Literatures, Washington University in St. Louis

[ picture: Professor Keshavarz
http://artsci.wustl.edu/~fatemeh/]

Tuesday, June 19, 2007

Imam Ghazali on Leadership Ethics

By Sajjad Chowdhry - Dinar Standard - NJ, U.S.A.

Monday, June 18, 2007

Al-Ghazali, a renowned Muslim scholar of the 11th century from Persia, identified qualities required in kings, ministers and deputies, whose relevance to modern business management is worth exploring.
Ethics in leadership and management is a topic every contemporary business person has to think about. It doesn’t matter whether you work at a major corporation or head up a mid-market consulting practice. Ethics in leadership matters.
In this article we look at the perspectives of the great scholar Abu Hamid al-Ghazali who lived 450-505 AH/1058-1111 AD and served under the reputed Nizam al-Mulk.
We highlight some of the advice he gave to rulers and leaders in his own time on issues like good conduct, trustworthiness, and the qualities to look for in a good team.
Like Ibn Khaldun, al-Ghazali’s thought brings forth wisdom that is highly relevant to our current contexts.
Imam Ghazali’s early career
Imam Abu Hamid al-Ghazali’s formal education began at the early age of 7 with a curriculum including the basic sources (usul) of Islam, law, theology, logic, and Sufism. After studying with the great Imam al-Haramain, al-Juwaini, for five years al-Ghazali joined the court of the Seljuq minister Nizam ul-Mulk where he remained for six years. During that time he actively participated in political and learned discussions until he was appointed as a professor to the famous Nizamiyyah school at Baghdad. He remained there for four years and wrote works on fiqh, or Islamic law, which he also taught, together with logic and theology.
Al-Ghazali’s position at the Nizamiyyah brought him influence and rank in political and intellectual circles. His proximity to these circles led al-Ghazali to be linked to the service of the Seljuq Sultans who ruled over the central Islamic lands of Iraq, Iran and Central Asia under the minimal authority of the Sunni Caliph in Baghdad.
The Nasihat
Al-Ghazali’s work titled "at-Tibr al-Masbuk fi Nasihat al-Muluk" or Ingots of Gold for the Advice of Kings. According to Carole Hillenbrand, the Nasihat, or Advice, is part of a larger genre of political writings which dealt with issues of political authority at the time. The Nasihat was addressed to the Seljuq government and its administration. Al-Ghazali dealt with a variety of subjects in the Nasihat such as the qualities required in kings, the character of ministers and deputies, and intelligence.
Al-Ghazali’s Advice to Kings

On good conduct
Al-Ghazali places the burden of establishing the right model of conduct squarely on the shoulders of the king. In other words, management’s example will either create an exceptional organization or a corrupt one. In the Nasihat he tells us, “If a king is upright… his officials will be upright, but if he is dishonest, negligent, and comfort-seeking… officers implementing his policies will soon become slothful and corrupt.”

On accessibility
Al-Ghazali begins this section by citing a saying known to Arabs: Nothing is more damaging… and more prejudicial and sinister for the king than royal inaccessibility and seclusion. In other words, leaders who are not open and accessible to their subjects put a strangle hold on open communication throughout an organization.

Whether a company adopts a flat or tiered corporate structure the line of communication to leadership should be known and continually tested to make sure that leadership is engaged with the organization as a whole and that there are no bottlenecks along the line.

In addition to being important for understanding the strengths and weaknesses of an organization a good leader will also realize that it’s important to keep abreast of any information which would affect his/her leadership/management of the company.

On Trustworthiness and self-denial
As a result of corporate scandals at companies such as Enron, WorldCom, Adelphia, and others corporate greed, misappropriation of funds, and other such vices have unfortunately become too well known. Executives betrayed the trust of their companies’ employees by enriching themselves and contributing to the downfall of their organizations through bogus accounting and diversion of company funds to their own accounts.

Al-Ghazali relates an account from the life of the Caliph Umar bin Abdul Aziz. He says that the Caliph sat up one night to study the daily report of the government under a lamp light. At that time one of his household employees entered the room to discuss some domestic issues. Umar ordered:

“Put out the lamp! and then speak, for this oil belongs to the public funds and the people’s property ought not to be used except for their business.”

Contrast this with the way executives at companies like Tyco and Adelphia did with their corporate funds and Umar ibn Abdul Aziz’s words speak for themselves.

On appointing deputies
We all know that a good management team is a fundamental element to a businesses success. Good leaders surround themselves with experts and leaders who can be delegated responsibilities and come back with results.

Likewise, al-Ghazali wrote of deputies in the context of ministerial posts at the Sultan’s court. He likened the minister of a ruler to the companions of the Prophet (s). To support his case for securing good ministers he wrote that even the Prophet (s) was commanded to consult the learned and wise among his companions.

“And consult them in affairs. Then when you have taken a decision put your trust in God.” (Qur’an 3:159)

Prophets of old even asked God to appoint a deputy for them as in the case of Moses (see Qur’an 20:29-32).
Drawing lessons from the Nasihat
The wisdom shared by Imam al-Ghazali is useful in a variety of leadership and management applications. But when taking lessons from Imam al-Ghazali’s work it’s important to keep in mind that he wrote the Nasihat for the kings and sultans of his day. Many of these rulers were given the Nasihat (sincere advice) because they had or were transgressing the bounds of sound leadership.

Imam al-Ghazali wrote the Nasihat based on the guidance of the Prophet Muhammad (s) who taught that “the religion is sincere advice”. So al-Ghazali linked his advice to a duty taught to all Muslims by the Prophet (s) himself.

In addition, the fact that al-Ghazali linked his theories of political leadership to theology should be considered. In other words, good rulership and leadership were sacred duties for al-Ghazali – performing them well brought God’s pleasure while doing otherwise brought His ire.

Extending this into a business paradigm requires managers and business professionals to first hold themselves accountable for their conduct. In fact, managers are to hold themselves accountable to themselves and their teams. Whether it’s how one conducts him/herself, how accessible they are, or how they build their teams.

Imam al-Ghazali’s advice is useful for anyone in a leadership position.
Key Learnings:
The Nasihat, or Advice, is part of a larger genre of political writings which dealt with issues of political authority at the time.

The line of communication to leadership should be known and continually tested to make sure that leadership is engaged with the organization as a whole.

Good rulership and leadership were sacred duties for al-Ghazali – performing them well brought God’s pleasure while doing otherwise brought His ire.

Sufism: a Path To Dialogue

[From the Italian language press]:
l'Istituto per l'Oriente Carlo Alfonso Nallino (IPOCAN) invita alla conferenza che sarà tenuta dal Professor Padre Giuseppe Scattolin del P.I.S.A.I. mercoledì 20 giugno alle 17 nei locali dell'Istituto (via A. Caroncini 19).

Tema della conferenza: "Il Sufismo: via al dialogo". La conferenza è uno degli eventi della settimana multiculturale in corso a Roma.

Roma One - Roma, Italia - lunedì 18 giugno 2007

"Istituto per l'Oriente Carlo Alfonso Nallino(IPOCAN) invites to the conference that will be held by Professor Father Giuseppe Scattolin of the P.I.S.A.I (The Pontifical Institute of Arabic and Islamic Studies in Rome) on Wednesday, June 20th at 5.00 pm in the premises of the Institute (via A. Caroncini 19).

Topic of the conference: “Sufism: a path to dialogue”.

The conference is one of the events of the Multicultural Week under way in Rome.

Istituto per l'Oriente Carlo Alfonso Nallino
P.I.S.A.I.: http://village.flashnet.it/~fn026243/index.htm

[picture from the P.I.S.A.I. homepage]

His broadness Tolerates All of These


By Elif Tunca - Today's Zaman, Istanbul, Turkey

Monday, June 18, 2007

A performance recounting the life story of Mevlana Jelaluddin Rumi was not among the initial plans for activities marking the Year of Mevlana, the 800th anniversary of the birth of the 13th-century Sufi saint and poet, but composer and maestro Orhan Şallıel's latest project hits the right note and promises to fill this gap with a magnificent performance where neyzens (reed flute players) and DJs will convey Mevlana's universal message to audiences.

"Mevlana Celaleddin-i Rumi," a multi-disciplinary performance on which Şallıel has been working for the last three years, will be given its premiere on the night of June 20 at İstanbul's Harbiye Open-air Theater as part of the Beşiktaş Culture Center's (BKM) open-air performances.

"We have always heard Mevlana's sayings," Şallıel says, lamenting that "who he really was has been left behind." Those who have developed an interest in Mevlana's teachings have probably researched the Sufi, but Şallıel's complaint is not without merit. The life story of the great Sufi sage, who most known for his motto "Come, whoever you are, come," is not known by many; at least not with the depth of the life story of any modern celebrity.

Taking inspiration from this fact, three years ago Şallıel set out to stage the life story of Mevlana. The result is an "ethno-symphonic" piece called "Mevlana Celaled-din-i Rumi," featuring actor Yılmaz Erdoğan as its narrator and a 120-strong team of performers from neyzens to semazens (whirling dervishes) and from kanun virtuosi to DJs.

Şallıel chooses this word "ethno-symphonic" to define his project, a project that, in a way, is a confusing work that breaks with tradition for a symphony orchestra conductor who received a classical music education. Although Şallıel had a certain degree of acquaintance with joint projects where different genres are blended, this new project is not like any other -- particularly with its spiritual aspect, which Şallıel believes is the most important.

The preparation period for the project was also very interesting for Şallıel; he came across the most proficient names of their respective fields. "All I had to do was to bring them together," says Şallıel. "There were so many talented people around me, what I did was merely organize them."

The piece, which depicts Mevlana's life from the day he and his family took the journey that brought them from Balkh in Iran to Anatolia, features many acclaimed artists such as duduk player Ertan Tekin, clarinetist Hüsnü Şenlen-dirici, kanun player Aytaç Doğan, bağlama player İsmail Tunçbilek and DJ Murat Uncuoğlu.

Choreographed by Ziya Azazi, "Mevlana Celaleddin-i Rumi" also features a symphony orchestra, Turkish percussion band Akatay Project, and the Mevlana Education and Culture Foundation's Sufi Music Choir and Sema Ensemble.

Şallıel links this idea of many instruments, genres and voices coming together on the same stage with Mevlana's philosophy. "The person we are trying to embody here is so great that you cannot choose whether you have to depict this [story] through a ney, kudüm or an orchestra [performance], but his broadness tolerates all of these. All these [genres] carry a color from him.

The presence of DJ Murat Uncuoğlu denotes Mevlana's message of unity. 'We are all one.'"

"[This performance] also shows that Mevlana's message can be put across in all epochs and in every manner. You can communicate via a letter, a cell phone, a computer or a pigeon. In whatever manner it is said, the message is the same. Mevlana once told a priest: 'We were both in love with the same sea, but taken with two different rivers'."

‘Yılmaz's presence adds sincerity'
Şallıel believes the presence of actor and director Yılmaz Erdoğan [picture, left] as narrator has added sincerity to the performance.

"I was seeking a narrator to read out some of Rumi's poems and sayings at the performance. Later I talked to Erdoğan. My libretto is very clear, and Yılmaz has added warmth to the text. The libretto includes facts and information about Mevlana, but it became a very warm one with the somewhat Sufistic style of Yılmaz. He also made some slight changes to the verses."

Sunday, June 17, 2007

'Operation Sadbavana' : A Slow-moving Peace Process

The Sunday Times - Colombo, Sri Lanka
Saturday, June 16, 2007

Hundreds of thousands of Indian soldiers have been in Kashmir battling a separatist revolt since 1989. The war has claimed at least 42,000 lives, more than a third of them civilians, according to official figures. Rights groups say thousands more have disappeared.

Pakistan and India, which each hold the scenic Himalayan region in part but claim it in full, have been engaged in a slow-moving peace process since 2004 -- and the average daily body count has dropped as a result.

Once routine tit-for-tat shelling along the Line of Control has also halted, a relief for villagers close to the front. A trans-Kashmir bus service, launched in April 2005, has also been opened to connect divided families living in the two parts of Kashmir. But on the ground, it is still impossible to escape the overwhelming army presence.

Cordon and search operations continue, scores of youth are detained and interrogated each day, and local dailies carry headlines like “Troops thrash trader,” “Another custodial death” and “Protests against troop abuses.”

”It is a fact that no one wants them here. They should go,” said Mirwaiz Umar Farooq, the region's leading cleric and a moderate separatist.

“They want to win sympathy and they will never get that.”Srinagar shopkeeper Mohammed Yusuf agreed, saying “heart and minds” public works projects were failing to build bridges with a war-weary public. “Renovating our shrines will not serve any purpose. They will have to change their attitude at the ground level,” he said.

“These are the very troops who raid our houses with their shoes on and speak abusive language,” Yusuf complained.

The Indian army spokesman, however, said 'Operation Sadbavana' (goodwill) will continue -- of course “minus the renovating of shrines and mosques.”

”The army has been building schools, providing computers, constructing roads, bus stands and toilets. They have even been providing health care to hundreds in remote villages,” he said.

“People have also realised that they can prosper by leaps and bounds by continuing to be part of a great country like India.”

On the Nature of the Divine

By Michael White - The New York Times - U.S.A.

Saturday, June 16, 2007

The British composer John Tavener, a Christian, has written a work, “The Beautiful Names,” derived from the Koran.

He has often addressed spiritual topics, as in his seven-hour “Veil of the Temple” performed at Avery Fisher Hall in 2004.

Although English-born and -bred, Mr. Tavener, 63, turned in the 1970s to Eastern Orthodoxy, mirroring its stark, sluggish severity and tonal structures in his music, which, like his conversation, came with allusions to St. Dionysus the Areopagite, St. Gregory of Nyassa and other blissfully obscure divines.

His scores bore titles like “Diodia,” “Apocalypse” and “Agraphon.” And being slow, spare and repetitive, they earned him the affectionate but slightly mocking label Holy Minimalist, a term that survivors of his three-hour “Resurrection” or seven-hour “Veil of the Temple” might challenge.

Most of his output these days tends toward the huge, praising God across long time spans with enormous forces in vast spaces: more events than concerts. And the event to have its premiere in Westminster Cathedral on Tuesday could be considered one more example, but it does something likely to unsettle Mr. Tavener’s devotees. Instead of Christian words it sets a text from the Koran.

Given the times, this is newsworthy, and variants on “Tavener Goes Muslim” headlines have already surfaced in the British press, along with items that report his loss of faith and disenchantment with the Christian church. None of which is true.

But for Mr. Tavener to have written “The Beautiful Names,” a meditation on the 99 names of Allah, commissioned by no less than Prince Charles, for performance in a Roman Catholic cathedral does raise certain issues. For one, the charge of opportunism. For another, the risk that Muslims might not be appreciative.

“Well, if you look at it like that,” Mr. Tavener muttered in his endearingly distracted way recently, “I suppose it could be a can of worms I’m opening. I’ve no idea what Muslims will make of it. I haven’t really asked. But right after the London premiere, it’s being done in Istanbul, and no one seems to have raised any objection there.

“All I can say is, it’s a wonderful text — basically a list of names, some of majesty, some of mercy — that I’ve set as theophanies: as soundings-forth on the nature of the divine, with music that reflects their meaning. The Beneficent, the Opener, the Subtle. ...”

And the Dangerous?

“Yes, that’s one of the Names. The Koran can be quite fierce at times. Not that I’ve read it all, or in the original Arabic. That’s beyond me. But I have a brother who’s a Sufi, and he finds God in the Koran in ways he can’t in the Bible. A loving God. That’s there as well.”

(...)

His wandering into the Koran has taken time. According to the score “The Beautiful Names” was written several years ago. Has he been sitting on it, hesitating while political events unfolded?

No, he says. It has simply taken that long to fit together the large forces the piece requires, which include the Westminster Cathedral Choir, the BBC Symphony Orchestra and Chorus (strategically placed in different parts of the building), the baritone soloist John Mark Ainsley and the powwow drum, which is ceremonially struck every 99 beats: one beat for every Name.

Studying the Heritage of Hadja Bahauddin Nakshband

Uzreport - Turkish Weekly - Ankara, Turkey
Saturday, June 16, 2007

The President of the Republic of Uzbekistan Islam Karimov arrived in Bukhara region on 14 June to get acquainted with ongoing socioeconomic reforms here, UzA reported.

During the trip the Uzbek head paid special attention to the course of agricultural reforms, in particular, the work on further development of farm movement. On the territory of Sarbast-Kamol farm of Bukhara region, President Karimov talked with farmers, familiarized with conditions and available capacities for them.

President Islam Karimov visited the village of Afshona in Peshku district in Bukhara region, where great physician Avicenna was born. The president went to see the museum of the great scientist of Middle Ages and met with students of local medical college.

The Uzbek leader visited the memorial complex of Bahauddin Nakshband.

In the years of independence, large-scale work has been carried out in the sphere spirituality, enlightenment and education. Serious attention is paid to perpetuation of the memory of great ancestors, preservation and wide propaganda of their heritage.

Scientists are studying the heritage of Hadja Bahauddin Nakshband, an outstanding thinker, famous representative of Sufism, his invaluable contribution to the world intellectual treasury, as well as the effective application of this spiritual wealth in deed of upbringing young generation.

Viewing the complex, the Uzbek head appreciated the constructive work carried out during the years of independence, and noted the necessity of increasing orchards and flower gardens.

[picture: Bukhara, view of the Complex.
Uzbektourism http://www.uzbektourism.uz/]

Opportunities for Flying

Today's Zaman - Istanbul, Turkey

Friday, June 15, 2007

Circus theater to depict life, work of Mevlana

With activities going on all over the world and around Turkey as part of UNESCO's 2007 Year of Mevlana, private initiatives are also bringing forth new and interesting ways to publicize the life and work of the Sufi scholar and poet Mevlana Jelaladdin Rumi.
The most recent type of these initiatives is one not normally counted among Turkish stage arts: the circus theater. For the first time ever in Turkey, a circus theater that includes foreign artists will attempt to explain and explore the life of the famous 13th century Sufi saint.

Eurasia Circus Coordinator Sümer Dinçer told the Anatolia news agency that circus founder and leader Servet Yalçın had prepared a project aimed at explaining the life of Mevlana in Konya from the time the Turkish thinker moved there with his father when he was 7.

Dinçer, talking about the nature of the production, said it would include aspects both of classic theater and classic circus show techniques.

"Think about the story itself being presented in a theater style, but then add in the show opportunities that a circus provides. With a theater scene, you play a one-dimensional show aimed at the audience. But a circus is different; you have audience on all four sides that you are playing to. This in itself creates a difference.

It also adds a certain freedom. There are no worries about 'We can't turn our backs on the audience.' There are also the opportunities for flying that a circus provides. This is a project in which the audience will be able to see giant birds.

This is a project that everyone is excited about. It will be completely different from anything before; something completely different for the world, actually."

Dinçer said that the scenario for the Mevlana project had been written by Aylin Gündoğan Yalçın, and that rehearsals would start sometime in June. The Mevlana project is set to include not only Turkish artists, but participants from countries as varied as Iran, Syria, Egypt, Ukraine, Belarus, France and England.

"Even at this point, there are many countries asking if we can come and put on performances," he said. "We hope to be able to start performing this show at the end of the summer season."

To Unfold into Love

By Amy Jones - Take 5 Music/Asheville Citizen Times - NC, U.S.A.

Friday, June 15, 2007

Her parents immigrated from Iran, but singer-songwriter Haale was born in New York City and has a unique sound that mixes rock with Sufi rhythms.
Her look is exotic and her music is sometimes otherworldly, but the story of New York City- born Haale, daughter of Iranian immigrants, is uniquely American. Pronounced like the first and second syllables in hallelujah (a hard HA and a rolling leh) this singer and trance bandleader is giving thanks for two new records and a blossoming career.

She spoke with us by phone about her [coming] Wednesday night show at the Grey Eagle on Clingman Avenue.

Are the three of you mostly on the road these days or are you guys just out supporting the new discs?
Both EPs (“Morning’’ and “Paratrooper”) came out in January of this year, and we’re on our sixth tour since then. We want to support these, yeah, but we’re a band that will always be on the road at some level.

How long have you guys been working together?
The three of us, really just since January. Prior to that the drummer and I had played together for about a year. Before this I would be playing mostly NYC, and I would play with everyone; it was a real juggling act. The best musicians in New York are really busy. It’s so expensive to live there now. You have to want it. I think we’re in the zone now.

Your parents moved here from Iran. You were born in New York, and most of your immediate musical influences seem to come from psychedelic rock that you blend with Sufi rhythms and stories. The hodgepodge of it all is so American somehow. Can you tell us more?
You know it is a real American story with the immigrant parents and all, but I also have this connection to Native Americans. I have this real connection to nature. I’ve been sleeping under the stars when we camp, and we’re all playing music, beating a drum, connecting with the land. Sometimes my music gets called world music but it’s really American in that it’s part of all that cross-pollination that’s happened here. The music is very Persian as well.

Did you set out to make music from your roots?
I grew up not caring that I was Persian. Then at some point about eight years ago I was taking a class about poetry and translation. I picked a Persian author, learned to read and write the language and months later I thought it was time to sing it. I dove into this new language and music realized it is my life’s work. I wanted it to be a part of my vocabulary.

Are you talking about the Sufi influence?
Yes, Sufi mystical poetry and Sufi devotional music. Rumi is probably the most famous in this country. The message of these poets is so urgent. Everything is so rapid in our lives and their message is for each of us to unfold into love.

Your music is at times hypnotic. Are lyrics key to the trance?
I talk a lot during my show. By the end of it people get it. I will translate too, so that people get to understand more. I’m not interested in repeating a message. I don’t do dogma. I’m interested in creating art. Making something abstract enough so that people can identify with it the way they want to. I’d rather be a poet than a preacher. But within the poetry there is a strong message.

[picture: Haale. Wednesday (June 20) night at The Grey Eagle Music Hall in Asheville (NC, U.S.A.)].

Saturday, June 16, 2007

The Water Never Ends

By Dr. Robert Dickson Crane - TAM The American Muslim - Bridgeton, MO, U.S.A.

Friday, June 15, 2007

Compassionate Justice: Source of Convergence between Science and Religion - Part 9
Chapter sixteen - ‘Ilm al Taqwa: Recovering a Lost World.
--Links to all the chapters will be found in the Table of Contents [to reach the Table of Content, click on the title above].

For the Western reader, the most accessible source dealing with Islamic thought on science and religion from the perspective of ‘ilm al taqwa is the shelf of books that Syed Hossein Nasr has been publishing almost one every year for decades. He treats the subject within the paradigm of sophia perennis or the perennial wisdom of all religions, which is based on love.

This approach has been denigrated by Islamists who charge that Nasr ignores power as the ultimate reality in addressing the problems of the world. The answer from the perennial wisdom of humankind is that awareness of the transcendent through love can bestow a power greater than the mere human, so that individual persons and even entire communities can become, as the Qur’an puts it, the eyes, ears, and hands of God.

Professor Nasr can communicate easily with the Western world, because as a young man he earned advanced degrees at MIT and Harvard and wrote his Harvard doctoral dissertation on the History of Science and Learning. Upon his return to teach at the University of Tehran, he became Professor of the History of Science and Philosophy, and Chancellor of the Arya-Mehr University of Technology.

He is a link to the rich history of human spiritual endeavor in Central Asia, which can be considered the birthplace of ‘ilm al taqwa. All the major Sufi orders today, except the Shadhili from North Africa, descend from founders in this region and from a historical era almost totally unknown to modern students of science and religion.

In order to plumb the depths of the traditionalist contribution of classical Islam to human rights and to recognition of the consonance, complementarity, and mutual engagement of science and religion, one must return to this lost world. The best and only real guidebook is the monumental tome, published in 2005, Reason and Inspiration in Islam: Theology, Philosophy, and Mysticism in Muslim Thought, Essays in Honour of Hermann Landolt, ed. Todd Lawson, I. B. Tauris, London, New York, 558 pages.

This single book compiles the work of many scholars from the various branches of the Shi’a community, as well as others, who have devoted their lives to exploring a thousand years of scholarship on the interdependent roles of reason and inspiration in seeking out the Will of God.

This is a history of human understanding and response to changing conditions of life in a by-gone world so that both individual persons and the communities derived from them would have optimum conditions to remain close to God and thereby fulfill the purpose of their existence. Unlike the approach of Professor Nasr and his Western associates today, the marriage of science and religion in this lost world was essentially jurisprudential in a search for a higher reality of universal truth.

This collection of studies, each one a model of careful scholarship on the historical development of what is known as Shi’ism and especially of its Ismaili branch, is particularly interesting for the typical American who believes only what he or she has directly experienced and is attracted by the traditionalist Islamic emphasis on immediate awareness and love of God and on its natural manifestation in the search for universal justice.

This independence of spirit is why the typical American hanif or Muslim by primordial fitra, like those in Makkah fourteen hundred years ago, is skeptical of all institutionalized religion but eager to learn about the deeper insights that are obscured in all religions by identity politics. Of course, this is also the reason why ethnic and ideological Muslims from abroad distrust American converts and why this distrust, especially among African Americans, often is reciprocated.

This book edited by Todd Lawson is about mysticism, which is at the core of all religion and often includes lapses into superstition and polytheism, which is precisely why a major purpose of divine revelation is to bound it by right reason. The tension between these two capabilities of the human being, the esoteric and the exoteric, is what gave rise in this lost world to what might be considered for Sufism to be a Garden of Eden. In point of fact, though not by intention, this tour de force presents a chronological history of Sufism in four parts: Classical Islam, Early Medieval, Later Medieval, and Pre-Modern and Modern.

Following European custom, whereby the individual professor rather than the educational institution carries maximum prestige, this undertaking was prepared by the former students of Hermann Landolt in his honor as a foremost advocate of what nowadays is often termed the Sophia Perennis or science of the permanent things. Landolt started his career in his hometown, Basel, Switzerland, where he wrote his dissertation in its then dominant environment of post-war existentialism epitomized by Karl Jaspers and Karl Barth. These were identified as the two leading challengers to traditionalist thought by my professor at the time, the famous Roman Catholic theologian Romano Guardini at the University of Munich.

Landolt left this dead-end corner of intellectual life to earn another diplome under Henry Corbin at the Sorbonne. In 1964 he moved to McGill’s Institute of Islamic Studies in Montreal, Canada, founded ten years earlier by Wilfred Cantwell Smith, where Landolt spent the next thirty-five years as a “Persianist” exploring Islamic mysticism and the legacy of the leading mystical jurisprudents, ranging from Imam Jafar al Siddiq and the early Ismaili philosopher Abu Hasan al Hujwiri (Datta Ganjbaksh), the author of Kashf al Mahjub, which was the first history of tasawuf and introduced me to Islam during a two-week khalwa on top of a mountain in New Hampsure; to Suhrawardi, who led the cause of ijtihad during the Dark Ages of the Sunni naqba; and to William Chittick, Toshihiko Izutsu, Hossein Nasr, and many others, who carried the flame of sophia perennis in the face of the cold winds that threaten to bring on the intellectual winter of a global naqba today.

The studies in this book reflect amazing detective work by many young scholars uncovering the interconnections among the seminal spiritual and intellectual leaders of Islam’s Central and Southwest Asian heartland over the past more than one thousand years, as well as the historical backdrop of their respective eras.

Since this is a compilation by scholars for scholars, the reader would be well advised first to read Hossein Nasr’s chapter, “The Spectrum of Islam” in his book, The Heart of Islam, as background in order to distinguish the more orthodox intellectual and spiritual leaders among the Shi’a from the less orthodox and to identify the movements that originated from the latter but developed into sects within Islam and even into new religions outside its widest boundaries.

For example, the Akhbaris, similar to the literalist Ibn Hazm in the West, flourished in the middle Safavid period (early 1600s) but spawned the Shaykhi movement of the early Qajar period (1700s), which gave rise in the early 1800s to the new Bahai religion. This latter modernist response to Western cultural imperialism essentially reversed the mindset of its origins by developing the anti-intellectual piety of the Akhbaris into a form of 21st-century post-modernism.

The spiritual and intellectual leaders of this lost civilization met the severe challenges of their day, including the Mongol invasion, by seeking the higher realities (haqa’iq) of the permanent things that have always transcended the ephemeral. Like the great river of Heraclitus, discussed by Isma’il Raji al Faruqi in his book, Meta-Religion: A Framework for Islamic Moral Theology, which I was able to rescue from oblivion after his death and publish through my Islamic Institute for Strategic Studies, June 2000, 104 pages, one never steps in the same river again, but the water never ends.

New intellectual and political flotsam is always flowing out to the sea, but the life-giving water is always recycling at both its origin and end, bi ithni Allah.

The knowledge encompassed within the gathering of thirty-eight life-long scholars on Islam in this symposium on reason and inspiration should not be summarized but rather experienced.

Here it may be sufficient merely to suggest that a common thread running throughout the symposium is the insight that theology and philosophy are not ends but preliminary paths to mysticism, which in all the world religions is based on awareness that intuition is the highest human faculty, because it has immediate access to the highest reality, unlike sense experience and reason, which are merely mediate.

As Golam Dastagir, the Muslim professor of philosophy at Jahangirnagar in Dhaka defines it in his article “The Global Mystical Union,” The World and I, Winter 2006, “Knowledge by intuition is immediate in the sense that the subject is merged in the object. … The mystic’s first and foremost activity is love, which is higher even than acts of complete surrender and supreme perfection. …

This view is shared by the Christian mystic, Meister Eckhart, who says, ‘I receive God into myself, and through love I enter into Him. … We are transformed into God, so that we may know Him as He is’.”

“Truth can be understood,” Golam Dastagir writes, “not just in the remembrance of God through prayer but in the realization of God in the pure heart, in which there is no difference between the knower, the known, and the knowledge. Communion of the individual soul with the Divine is the ultimate goal of human life.”

“The methods of reaching this goal vary according to peoples’ customs, cultures, and beliefs,” but they are all converging from the outer circumference of a circle toward the center which is God. He concludes that the cause of most conflict in the world today is the failure of religious people to recognize this, which is why they are vulnerable to emotions of despair, fear, and hatred.

We fear the specter of growing chasm between civilizations in an age of advanced technologies, but Dastagir warns, “The human mind-set is at the center of all contentions and conflicts among divergent faiths and nations. … Our first and foremost endeavor should be to bridge the chasm between God and humanity.”

This is the joint task of ‘Ilm al Taqwa and ‘Ilm al ‘Adl, the science of compassionate justice, which is based on the cycle of apophatic spirituality (the via negativa associated with islam), cataphatic spirituality (the via positiva or “yes” stage of the spiritual path associated with iman), and the highest level of ihsan, which completes the dynamics of tawhid. This might also be termed ‘ilm al ‘adl al muta’aliy or transcendent law, similar to al hikmat al muta’aliyah of the seventeenth-century Shi’i polymath, Sadr al Din Shirazi, who, like Al Ghazali, created a major synthesis of philosophy, doctrinal Sufism or gnosis (‘irfan), and theology (kalam) in a new school that Syed Hossein Nasr has translated as “transcendent theosophy.”

The best modern translation of both ‘ilm al taqwa and ‘ilm al ‘adl, however, is simply “meta-law.” Metalaw is the substance of what America’s founders called “traditionalism.” In the 379-page Summer/Fall 1987 issue of Modern Age, which has long been the most sophisticated journal of functionally Islamic thought in America, Henry Regnery defined traditionalism in terms of its opposite, which for more than a century has been known as “modernism.”

Modernism, he says, is “the loss or rejection of the divine paradigm” and is “the desacralization of life.”

The golden rule of metalaw is not “do unto others as you would have done unto yourself,” but “Do unto others as they would have done unto them.” This is a higher level of law designed for relations among sentient beings wherever they live in the universe, because it is based on loving recognition that all beings are divinely created for the same purpose and that one’s capacity for self-knowledge is God’s greatest gift to every sentient being.

Metalaw is the basis of compassionate justice and is the ultimate arena for cooperation both within and among civilizations.

[picture: Professor H. S. Nasr]

Friday, June 15, 2007

"I Can Only Be a Bridge"

By Ali Pektas - Today's Zaman - Istanbul, Turkey

Thursday, June 14, 2007

Davod Azad brings Mevlana and Bach together for love

Although it might sound a little unusual to hear the names of 13th century Sufi scholar and poet Mevlana Celaleddin Rumi and 18th century classical composer Johann Sebastian Bach side by side in the same project, Iranian artist Davod Azad, taking inspiration from the universal tolerance of Mevlana, has brought these two names together centuries after their respective eras.

Azad, a performer and composer of classical Persian and Sufi music of international fame, was a guest of the İstanbul International Music Festival with a unique performance titled "The Divan of Rumi and Bach" at the Hagia Eirene Museum yesterday.

The concert -- which was specially introduced to the festival lineup to celebrate the 800th anniversary of the birth of Mevlana -- was a chance for audiences to discover how two personalities from diverse eras and geographies could come together in the same language of music and love.

Speaking to Today's Zaman ahead of the special concert piece, Azad said his music was solely based on "inspiration." He never spends hours and makes plans for any of his compositions.

"The Divan of Rumi and Bach" was also born of a moment of inspiration. One day when Azad was reading the verses of Rumi, a friend of his -- Melita Kalin, who had been conducting research on the music of Bach for some 15 years then -- was playing Bach on the piano. That was the day when Azad suddenly realized the harmony between the music of Bach and the poetry of Rumi, and subsequently decided to undertake this project.

In his unique blend of Mevlana's poetry with Bach's music, Azad also makes use of those aspects of traditional Persian music which are suitable for improvisation. He combines all the colors of Azeri music (which he says are "in his blood"), "tekke" or "khanqah" music, and Turkish music to create a unique sound.

In Azad's view, the musician should not stand out. "Inspiration comes when I feel like I am invisible," says the artist, adding: "I can only be a bridge between the audience and the [source of] 'unity.' If the musician cannot get rid of his or her ego, he cannot serve as a bridge."

Azad says the reason why he chose to perform Mevlana's poetry is "to become one."

He says Mevlana cannot be connected to a single place such as his birthplace in Iran or Konya in Turkey, where he lived and is buried. "Mevlana belongs to everybody. His valued ideas should be spread all over the world. That way we can create unity among all [humanity]...

Differences may exist among cultures, but eventually all cultures have similarities as they all stem from a single source -- which is love.
Their appearances might look different but all humans are the same in spirit."

The 44-year-old musician also has plans to combine Mevlana's verses with other famed composers such as Beethoven and Mozart in future projects.

A multicultural ensemble consisting of Matthew Barley on cello, Hiroko Imai on piano and Sirish Kumar on tabla accompanies Azad in his performance, constituting a beautiful reflection of Mevlana's teachings onstage.

"I did this intentionally," says Azad. This is his successful attempt to prove to the world how musicians from varied cultures and geographical locations can collaborate via a common language. Azad says he has gained much insight through this collaboration.

"I had the chance to get to know many different music styles. In the meantime, I regard as a gift the capability of existing with my own music in an atmosphere where everybody is equal."

The Mystical Path of the Heart

By Valerie Skonie - Sun Valley - Hailey, ID, U.S.A.

Wednesday, June 13, 2007

Saturday, June 30, 6:30 pm – 8:30 pm: The Mystical Path of the Heart

An introductory evening which will explore the mystical path of Sufism.

The evening is designed to give participants an opportunity to experience some of the esoteric teachings and practices given by Hazrat Inayat Khan when he traveled to the US and Europe from India in the early 1900s.

Inayat Khan is considered a saint among the people of India in the lineage of the Chisti Order. This order uses poetry and music to render the heart open and to teach to the non-linear part of our selves.

The evening will include a short lecture and discussion followed by Zikr and the Sufi Dances of Universal Peace. Zikr is also known as the practice of Remembering: both who we are and our relationship to the Divine Being.

A subsequent series of classes to explore these teachings and practices in depth will be scheduled at the completion of the introductory series.
This class is a repeat of the June 14 and June 20 sessions.
Valerie Skonie, Hailey resident, who has been a student of Sufism for nearly thirty years, will lead these classes.

Lane Schulz will lead the Sufi Dances of Universal Peace. Lane lives in Boise where she leads the dances regularly.

There is no charge for this event. Snacks will be served after the class.

For class location and other questions please call 788-6373 and leave your email address. Directions will be emailed to you prior to the event.

Thursday, June 14, 2007

Militiant Sufism in Iraq

By John Cole - Informed Comment - U.S.A.
Wednesday, June 13, 2007

The USG [United States Government] Open Source Center translates [on June 12] an interview with a spokesman for The Army of Men, a militant offshoot of an Arab branch of the Naqshbandi Order that fights the US military presence in Iraq.

Note that most Naqshbandis and indeed most Sufis are peaceful.

Naqshbandis are known as a Sunni Sufi Order and have been more "orthodox" and tied to legalism than most other mystic brotherhoods. Many Kurds are Naqshbandis, but they are pro-American.

--Summary [by USG] of the interview-- :
On 6 June, a jihadist website posted an interview from the Iraqi satellite channel, Al-Zawra, with Dr. Salah al-Din al-Ayyubi, the official spokesperson of the Sufi Iraqi insurgent group known as The Army of the Men of the Naqshabandi Order.

Dr. Salah al-Din al-Ayyubi described its formation, beliefs, and operational goals.

Dr. Ayyubi claimed the Naqshabandi Order has existed since the beginning of the US occupation of Iraq, and that its operations target "only the unbeliever occupier," not Iraqi citizens.

With regard to uniting with other insurgent groups, Dr. Ayyubi stated that uniting under one leadership would result in a decrease in operations due to lack of freedom. Regarding negotiations with "occupation forces" or the Iraqi Government, he stated that "we are not negotiators," and that "we want to force out the enemy."

The interview ended with a call from Dr. Ayyubi to force out the "unbelieving enemy" and to abstain from the political process until "the last occupying soldier gets out of our land."
--end of Summary--

To read the interview, translated by the United States Government and posted by Juan Cole (Director of Global Americana Institute), click on the title above or on the link below
http://tinyurl.com/2vs9ko

Better Arrangements from the "Elder Brother"

APP Associated Press of Pakistan - Islamabad, Pakistan

Tuesday, June 12, 2007

Pakistan Muslim League (PML) President Chaudhry Shujaat Hussain Tuesday said the issue of provincial autonomy was nearing its logical conclusion that would provide powers and revenues to the smaller provinces more than their expectations.

Talking to a delegation of Sindhi media persons headed by Dr. Jabbar Khattak in Murree, he said Punjab was always ready to play the role of an elder brother and every positive proposal in connection with promoting provincial harmony would be warmly welcomed.

Shujaat Hussain said that continuity of development process required of all the institutions to play their due role for national integration and harmony.

The PML President said that National Sufi Council has been established to promote message of Sufis and ensure more effective contact between their followers so that peace and harmony could be promoted among all segments of society.

Shujaat Hussain said that seminars would be held in Saivan Sharif, Bhitt Shah, Kot Mitthan and Kasur under the aegis of the Sufi council, which would help in promoting love, peace and brotherhood among the people.

He said the Auqaf Department, Punjab, would be directed to make better arrangements of stay for visitors (Zaireens) coming to shrines of Bibi Pak Daman and other saints from other provinces.
[picture: Mr Chaudhry Shujaat Hussain from www.storyofpakistan.com
http://tinyurl.com/ypt6lx]

Wednesday, June 13, 2007

"Vocal Sculptures": Sound also Has Texture

Today's Zaman - Istanbul, Turkey

Tuesday, June 12, 2007

Ferry performance by Berkan Karpat makes Rumi's verses tangible

Ferries are an important means of travel in İstanbul -- flanked on the north and south by seas, and divided by a strait.

Now ferries are serving as a stage for an extraordinary artistic performance that pays tribute to the 13th-century Sufi scholar and poet Mevlana Jelaluddin Rumi on the 800th anniversary of his birth, celebrated internationally as part of the 2007 Year of Mevlana.

The ferry, named after the late musician Barış Manço, which occasionally features concerts as part of festivals and special commemoration events, is currently hosting artist Berkan Karpat's latest project, which involves what the artist calls "vocal sculptures."

Karpat's project is based on the idea that sound also has texture, proving it is possible to touch sound. The starting point for the artist was the verses in Mevlana's book "Divan-ı Kebir."

Karpat concretizes verses recited by Mevlana scholar Houssein Mansouri from "Divan-ı Kebir" via various objects that differ in material and size. The objects, which absorb the music and sound, transform these acoustics into a visually recognizable concrete item. Rice, wood and rose oil are some of the materials utilized for the performance.

Another unique feature of the performance is its utilization of a speaker system that is capable of transmitting sound without distortion and loss as far as one kilometer away.

The event, titled "Making Contact with Mevlana on the Ferry," will run through June 17.

[picture: Beautiful Istanbul
http://www.tourismturkey.org/]

Tuesday, June 12, 2007

To the Resilience of the Human Spirit

CNN/IBN - New Delhi, India
Monday, June 11, 2007

For the first time ever, musicians as diverse as Sufi singers, monks and performers from Tamil Nadu came together to create music in Mumbai.

The Laya concert at the National Centre for Performing Arts (NCPA) was unique for the simple reason that it celebrated the love of music from six different countries.

But apart from the music, the bond that these musicians shared was that they were all survivors of the Tsunami that hit Asia on December 26, 2004, taking with it lakhs of lives.

The Laya Project was born when the producers from Earth Sync, a group based in Chennai, travelled through the Tsunami-affected villages of Myanmar, Indonesia, South India, Sri Lanka, Thailand and Maldives.

They collected music along the way that went beyond borders, religion and language.
"We went to look for common people who found joy in music even after a tsunami,” said the music producer of the Laya Project, Jacob Paul.

Another producer of the project, Sonya Mazumdar, said, “It’s amazing how similar we all are. We are from six different countries but we are so similar.”

The project is a tribute by these musicians to the resilience of the human spirit and is dedicated to the survivors of the Asian Tsunami.

The music CDs are already in stores, along with a unique DVD that chronicles the visual and musical journey through these countries.

[To watch the video, click on the title above]

Soul on Fire: the Vastness of Our True Identity

CNW Group - Canada
Monday, June 11, 2007

Canada honours 800-year-old Persian Sufi mystic and poet with "Soul on Fire: Passion and Poetry of Rumi" featuring soul-igniting readings by Coleman Barks, accompanied by acclaimed musicians David Darling and Marcus Wise, along with the transformational teaching of Andrew Harvey

As part of worldwide celebrations during UNESCO's 2007 "International Year of Rumi," Sacred Wisdom Centre is bringingRumi's timeless message of humanism and love to Canada with "Soul on Fire:Passion and Poetry of Rumi" on Saturday, June 30 at the River Run Centre in Guelph.

Come find out why this 13th c. Persian Sufi mystic is one of the mostpopular poets in North America today! Evening Rumi readings by Coleman Barks from his own exquisitely sensitive translations, accompanied by musicians David Darling (cello) and Marcus Wise(Indian drums), will honour the spiritual depth of Rumi's profound wisdom 800years since his birth, giving us glimpses of what Barks describes as "the vastness of our true identity."

In the past 30+ years, Barks has produced 18 volumes of Rumi's translated works, with The Essential Rumi selling more than half a million copies worldwide.

During the day, distinguished Rumi translator and author of 30+ books on spirituality Andrew Harvey - "powered by love" - will lead an experiential workshop on Rumi's passion and wisdom.

Dedicated to Sacred Activism, "the union of profound spiritual understanding and wise, radical action in the world," Harvey will also be leading a Rumi pilgrimage to Turkey with Wisdom University in the Fall of 2007.

Click on the title above for Event details.
Visit also: www.colemanbarks.com
www.andrewharvey.net
www.rumi-turningecstatic.com
and www.rumipoet.com for more info.

The Inspiration Comes Straight from God

By Charlotte Higgins - The Guardian - London, U.K.

Monday, June 11, 2007

Composer John Tavener tells Charlotte Higgins how his life-changing encounter with an Apache medicine man led him to write a piece praising Allah: 'The Beautiful Names'

The Beautiful Names is premiered at Westminster Cathedral, London, on June 19 by the BBC Symphony Orchestra and John-Mark Ainsley under Jiri Behlolavek.

John Tavener does not fit into his surroundings. This tall, etiolated, sunbaked 63-year-old with lanky shoulder-length blond hair, dressed in white linen trousers and shirt, looks as if he would be more appropriately placed in a setting of either John Pawson-style minimalism or byzantine, gilded splendour.

Not in a Dorset farmhouse with chickens in the garden, wellies on the bootstand, squashy sofas in the sitting room and a flatscreen telly. This is, after all, the composer of the night-long meditational piece The Veil of the Temple; and Song for Athene, which was performed at Diana's funeral and confirmed him as a household name.

He is the composer, in other words, of deeply spiritual, otherworldly, heartfelt, heartstopping music. Or bland, populist, new-age pap - depending on your point of view.

The next big moment for Tavener is the premiere of a large-scale piece for chorus and orchestra. It has been commissioned by the Prince of Wales, with whom he became friends more than a decade ago "because we share views on the importance of all religious traditions".

Again, what you will make of this one depends on your point of view. It's called The Beautiful Names, and it's a setting of the 99 names for Allah from the Qur'an. It's going to be performed in the Roman Catholic Westminster Cathedral next week, then a few days later in Istanbul.

Tavener is Greek Orthodox, to which he converted years ago after a Presbyterian upbringing.
You could see The Beautiful Names as a moving congruence of disparate religions in difficult times. Or then again, you could you assign it to roughly the same category as talking to your plants or having a manservant charge your toothbrush. I should be upfront here: my inclination is to go with the latter view.

Tavener, though, is fantastically disarming. When he starts talking about his music being written through divine agency and having visions brought on by chatting to Apache medicine men and what a bad idea the Enlightenment was, part of you wants to snort with derision.

The other part realises that, however batty it all sounds, he means it, and it's real for him. If a sense of conviction is a defence these days (and according to Tony Blair, it is), then at least you can say of Tavener: it's not phoney.

In recent years he has begun to broaden his spiritual horizons, he tells me over tea in the garden. "The path I follow is still an Orthodox path," he says.

"You have to follow a path, otherwise it becomes a little bit new-age, a bit of this, a bit of that ... But I suppose I had a dream vision after a visit from an Apache Indian medicine man. Many people when they've met American Indians have very strong dreams afterwards. I had a kind of vision from the Sufi Frithjof Schuon, who was a believer in the inner transcendent unity of all religions. And he seemed to be giving me permission, in a way, to work musically within other traditions. It wasn't that the Christian thing was failing me in any way, but rather that it enriched it by going into other things, particularly Hinduism and Sufism."

He is planning a choral piece called The Flood of Beauty, a setting of a 9th-century Sanskrit poem that "shows God in the feminine aspect, as beauty". There's also the premiere in Zurich this year of a Mass for the Feast of the Immaculate Conception. In his note on the piece, he writes: "I have used Latin, Sanskrit, Arabic, Aramaic, Greek, American Indian, German and Italian to express something of the divine effulgence of the feminine that the Mother of God has revealed to my soul."

(...)

The inspiration behind the work, behind the music, comes straight from God, Tavener believes; and it is the beauty of nature, and the world, that engenders his belief in the divine.

"When something extraordinary happens to me - or it doesn't have to be extraordinary, I mean if you see a wonderful sunset or plunge into the sea and swim - my immediate reaction has always been, and is even more so now, thank God for this.

The music is something outside myself, that's also inside myself ... Music and a sense of another presence always went hand in hand. Even when I was three, I would improvise music, and my maternal grandfather would act as an audience and used to applaud. I would imitate things like thunder and rain."

[picture: Allah is the all-inclusive Name of God;
calligraphy from:
M.R. Bawa Muhaiyaddeen
Asma'ulHusna, The 99 Beautiful Names of Allah
The Fellowship Press, Philadelphia, PA, U.S.A.
Westminster Cathedral's bell tower;
photo from: A Pitkin Cathedral Guide
ISBN 0-85372-674-4]

Monday, June 11, 2007

"We Will Rebuild it"

IANS - New Kerala - Kerala, India

Sunday, June 10, 2007

A gurdwara [door to the guru - Sikh place of worship] in Baghdad, built to commemorate Guru Nanak's visit to the city and severely damaged after the fall of Saddam Hussein, is all set to be rebuilt, a top Iraqi leader said.

Ahmed Chalabi, former deputy prime minister, visited the dilapidated Sikh shrine earlier this week under heavy military protection, worldsikhnews.com reported.

The leader said: "It (the gurdwara) has unfortunately been wiped out by fanatics because they thought it was against Islam."

It is believed that Guru Nanak visited Baghdad while on his way to Mecca and Medina and spent around four months in the city. During this period he is said to have held many discourses with Bahlol Dana, a sufi saint.

"We will rebuild it. It's shameful they cannot respect someone who has millions of followers," Chalabi said at the gurdwara site along the river Tigris.

[picture: The Harimandir Sahib (Golden Temple) in Northern India, is the most known Sikh gurdwara. http://en.wikipedia.org/wiki/Gurdwara]

Mehdi Bouabdelli (1907 - 1992): A Scholar and His Library

[From the French language press]:
Evocation: Mehdi Bouabdelli, un érudit de l’Algérie moderne

El Watan, Algeria - mercredi 6 juin 2006 – par Djamel Benachour

Mehdi Bouabdelli, a scholar from modern Algeria

A commemoration of Mehdi Bouabdelli (1907 -1992) born in a family whose lineage goes back to a Saint from Oued Rhiou, the Sufi Sidi Bouabdellah el Moughawfal (known also as Sheykh Iekbir), whose tariqa goes back to the Hafsid dynasty (1229 -1574 CE).

His whole work was dedicated to the knowledge and research of the Algerian and, by extension, Maghrebian personality while unearthing manuscripts of works of the past fallen in the collective lapse of memory.

After independence, he put his phenomenal knowledge at service of the Research Centre while taking part in several seminars worldwide and while contributing to the National Center for Historical Studies.

He published «Taghr el djouman fi ibtissam etaghr el wahrani » by Ahmed Ben Mohamed Errachidi (end of 18th century) in 1973 and « Dalil el hayran oua anis essahran fi madinet wahran» by Mohamed Benyoucef Ziani in 1978.

Mehdi Bouabdelli received a PhD Honoris causa from Oran University shortly before passing away.

What is required now is to enhance the library which he left.

[picture: Habibas Islands (Oran)
http://www.visitoran.com/photos/gallery.asp?id=habibas]

Wednesday, June 20, 2007

Where Coffee Houses Serve Tea
No comments:
By Fatemeh Keshavarz - TAM The American Muslim - Bridgeton, MO, U.S.A.

Tuesday, June 19, 2007

Windows on Iran: 30/32

The news from Iran has both good and disturbing parts. Among the disturbing parts are further American action to create unrest in Iran, as is the Iranian government’s move to tighten its enforcement of the ladies dress code in public and of course the continued anxiety over the arrest of Dr. Esfandiari.

Good things include news of continued strong resolve among Iranian women to enhance their presence on the social and political scene by forming new coalitions as well as the usual great artistic and intellectual activity in the country.

One of my goals in these windows is to dispel the myth that reduces Iran to a culture of “villains vs. victims.” I would like you to see that regardless of the internal and global issues that Iran is dealing with, Iranians continue to be a lively, creative, humorous, and art loving people like any other in the world.

Here it is in the words of one of the major contemporary Iranian painters Iran Darrudi http://www.theamericanmuslim.org/tam.php?URL=http%3A%2F%2Fwww.payvand.com%2Fnews%2F07%2Fmay%2F1304.html

Or, read about the three-minute documentary that the renowned Iranian director and screen-writer Abbas Kiarostami made on the occasion of Cannes Film festival’s 60th year. Kiarostami included in his three-minute documentary, 24 top Iranian actresses whom he has worked with over the years: http://www.payvand.com/news/07/may/1226.html

(...)

A two-day conference I attended in Chicago was dedicated mostly discussing the subject of Sufism (the Islamic mystical tradition) with a number of fine scholars working on Iran and other parts of the Muslim world. Quite a few of these American friends/colleagues travel to the region regularly.

The subject of an article published in Sunday Times a day before the conference inserted a sad note into our otherwise happy discussions. The article called “Seeking Signs of Literary Life in Iran” made incredible claims such as: bookstores do not really exist in Iran, or the books Iranians read are good to be discussed only with their therapists!

(...)

An Iranian woman story-teller is already gaining a reputation as the first Iranian woman Naqqal (a performer of who reads/enacts stories of the celebrated Persian epic The Book of Kings by the 10th century poet Firdowsi of Tus).

Naqqals usually did their story telling in coffee houses (in fact, tea houses because they serve tea rather than coffee!). Do watch the clip, even if you don’t know Persian. It is about four minutes, and does not require much explanation.

Her voice recites the epic poetry in the background while you see images of her story-tellling, and of coffee houses in Iran: http://www.jadidmedia.com/images/stories/flash_multimedia/Gordtest/gordafarid_high.html

Fatemeh Keshavarz is Professor and Chair Dept. of Asian and Near Eastern Languages and Literatures, Washington University in St. Louis

[ picture: Professor Keshavarz
http://artsci.wustl.edu/~fatemeh/]
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Tuesday, June 19, 2007

Imam Ghazali on Leadership Ethics
No comments:
By Sajjad Chowdhry - Dinar Standard - NJ, U.S.A.

Monday, June 18, 2007

Al-Ghazali, a renowned Muslim scholar of the 11th century from Persia, identified qualities required in kings, ministers and deputies, whose relevance to modern business management is worth exploring.
Ethics in leadership and management is a topic every contemporary business person has to think about. It doesn’t matter whether you work at a major corporation or head up a mid-market consulting practice. Ethics in leadership matters.
In this article we look at the perspectives of the great scholar Abu Hamid al-Ghazali who lived 450-505 AH/1058-1111 AD and served under the reputed Nizam al-Mulk.
We highlight some of the advice he gave to rulers and leaders in his own time on issues like good conduct, trustworthiness, and the qualities to look for in a good team.
Like Ibn Khaldun, al-Ghazali’s thought brings forth wisdom that is highly relevant to our current contexts.
Imam Ghazali’s early career
Imam Abu Hamid al-Ghazali’s formal education began at the early age of 7 with a curriculum including the basic sources (usul) of Islam, law, theology, logic, and Sufism. After studying with the great Imam al-Haramain, al-Juwaini, for five years al-Ghazali joined the court of the Seljuq minister Nizam ul-Mulk where he remained for six years. During that time he actively participated in political and learned discussions until he was appointed as a professor to the famous Nizamiyyah school at Baghdad. He remained there for four years and wrote works on fiqh, or Islamic law, which he also taught, together with logic and theology.
Al-Ghazali’s position at the Nizamiyyah brought him influence and rank in political and intellectual circles. His proximity to these circles led al-Ghazali to be linked to the service of the Seljuq Sultans who ruled over the central Islamic lands of Iraq, Iran and Central Asia under the minimal authority of the Sunni Caliph in Baghdad.
The Nasihat
Al-Ghazali’s work titled "at-Tibr al-Masbuk fi Nasihat al-Muluk" or Ingots of Gold for the Advice of Kings. According to Carole Hillenbrand, the Nasihat, or Advice, is part of a larger genre of political writings which dealt with issues of political authority at the time. The Nasihat was addressed to the Seljuq government and its administration. Al-Ghazali dealt with a variety of subjects in the Nasihat such as the qualities required in kings, the character of ministers and deputies, and intelligence.
Al-Ghazali’s Advice to Kings

On good conduct
Al-Ghazali places the burden of establishing the right model of conduct squarely on the shoulders of the king. In other words, management’s example will either create an exceptional organization or a corrupt one. In the Nasihat he tells us, “If a king is upright… his officials will be upright, but if he is dishonest, negligent, and comfort-seeking… officers implementing his policies will soon become slothful and corrupt.”

On accessibility
Al-Ghazali begins this section by citing a saying known to Arabs: Nothing is more damaging… and more prejudicial and sinister for the king than royal inaccessibility and seclusion. In other words, leaders who are not open and accessible to their subjects put a strangle hold on open communication throughout an organization.

Whether a company adopts a flat or tiered corporate structure the line of communication to leadership should be known and continually tested to make sure that leadership is engaged with the organization as a whole and that there are no bottlenecks along the line.

In addition to being important for understanding the strengths and weaknesses of an organization a good leader will also realize that it’s important to keep abreast of any information which would affect his/her leadership/management of the company.

On Trustworthiness and self-denial
As a result of corporate scandals at companies such as Enron, WorldCom, Adelphia, and others corporate greed, misappropriation of funds, and other such vices have unfortunately become too well known. Executives betrayed the trust of their companies’ employees by enriching themselves and contributing to the downfall of their organizations through bogus accounting and diversion of company funds to their own accounts.

Al-Ghazali relates an account from the life of the Caliph Umar bin Abdul Aziz. He says that the Caliph sat up one night to study the daily report of the government under a lamp light. At that time one of his household employees entered the room to discuss some domestic issues. Umar ordered:

“Put out the lamp! and then speak, for this oil belongs to the public funds and the people’s property ought not to be used except for their business.”

Contrast this with the way executives at companies like Tyco and Adelphia did with their corporate funds and Umar ibn Abdul Aziz’s words speak for themselves.

On appointing deputies
We all know that a good management team is a fundamental element to a businesses success. Good leaders surround themselves with experts and leaders who can be delegated responsibilities and come back with results.

Likewise, al-Ghazali wrote of deputies in the context of ministerial posts at the Sultan’s court. He likened the minister of a ruler to the companions of the Prophet (s). To support his case for securing good ministers he wrote that even the Prophet (s) was commanded to consult the learned and wise among his companions.

“And consult them in affairs. Then when you have taken a decision put your trust in God.” (Qur’an 3:159)

Prophets of old even asked God to appoint a deputy for them as in the case of Moses (see Qur’an 20:29-32).
Drawing lessons from the Nasihat
The wisdom shared by Imam al-Ghazali is useful in a variety of leadership and management applications. But when taking lessons from Imam al-Ghazali’s work it’s important to keep in mind that he wrote the Nasihat for the kings and sultans of his day. Many of these rulers were given the Nasihat (sincere advice) because they had or were transgressing the bounds of sound leadership.

Imam al-Ghazali wrote the Nasihat based on the guidance of the Prophet Muhammad (s) who taught that “the religion is sincere advice”. So al-Ghazali linked his advice to a duty taught to all Muslims by the Prophet (s) himself.

In addition, the fact that al-Ghazali linked his theories of political leadership to theology should be considered. In other words, good rulership and leadership were sacred duties for al-Ghazali – performing them well brought God’s pleasure while doing otherwise brought His ire.

Extending this into a business paradigm requires managers and business professionals to first hold themselves accountable for their conduct. In fact, managers are to hold themselves accountable to themselves and their teams. Whether it’s how one conducts him/herself, how accessible they are, or how they build their teams.

Imam al-Ghazali’s advice is useful for anyone in a leadership position.
Key Learnings:
The Nasihat, or Advice, is part of a larger genre of political writings which dealt with issues of political authority at the time.

The line of communication to leadership should be known and continually tested to make sure that leadership is engaged with the organization as a whole.

Good rulership and leadership were sacred duties for al-Ghazali – performing them well brought God’s pleasure while doing otherwise brought His ire.
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Sufism: a Path To Dialogue
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[From the Italian language press]:
l'Istituto per l'Oriente Carlo Alfonso Nallino (IPOCAN) invita alla conferenza che sarà tenuta dal Professor Padre Giuseppe Scattolin del P.I.S.A.I. mercoledì 20 giugno alle 17 nei locali dell'Istituto (via A. Caroncini 19).

Tema della conferenza: "Il Sufismo: via al dialogo". La conferenza è uno degli eventi della settimana multiculturale in corso a Roma.

Roma One - Roma, Italia - lunedì 18 giugno 2007

"Istituto per l'Oriente Carlo Alfonso Nallino(IPOCAN) invites to the conference that will be held by Professor Father Giuseppe Scattolin of the P.I.S.A.I (The Pontifical Institute of Arabic and Islamic Studies in Rome) on Wednesday, June 20th at 5.00 pm in the premises of the Institute (via A. Caroncini 19).

Topic of the conference: “Sufism: a path to dialogue”.

The conference is one of the events of the Multicultural Week under way in Rome.

Istituto per l'Oriente Carlo Alfonso Nallino
P.I.S.A.I.: http://village.flashnet.it/~fn026243/index.htm

[picture from the P.I.S.A.I. homepage]
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His broadness Tolerates All of These
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By Elif Tunca - Today's Zaman, Istanbul, Turkey

Monday, June 18, 2007

A performance recounting the life story of Mevlana Jelaluddin Rumi was not among the initial plans for activities marking the Year of Mevlana, the 800th anniversary of the birth of the 13th-century Sufi saint and poet, but composer and maestro Orhan Şallıel's latest project hits the right note and promises to fill this gap with a magnificent performance where neyzens (reed flute players) and DJs will convey Mevlana's universal message to audiences.

"Mevlana Celaleddin-i Rumi," a multi-disciplinary performance on which Şallıel has been working for the last three years, will be given its premiere on the night of June 20 at İstanbul's Harbiye Open-air Theater as part of the Beşiktaş Culture Center's (BKM) open-air performances.

"We have always heard Mevlana's sayings," Şallıel says, lamenting that "who he really was has been left behind." Those who have developed an interest in Mevlana's teachings have probably researched the Sufi, but Şallıel's complaint is not without merit. The life story of the great Sufi sage, who most known for his motto "Come, whoever you are, come," is not known by many; at least not with the depth of the life story of any modern celebrity.

Taking inspiration from this fact, three years ago Şallıel set out to stage the life story of Mevlana. The result is an "ethno-symphonic" piece called "Mevlana Celaled-din-i Rumi," featuring actor Yılmaz Erdoğan as its narrator and a 120-strong team of performers from neyzens to semazens (whirling dervishes) and from kanun virtuosi to DJs.

Şallıel chooses this word "ethno-symphonic" to define his project, a project that, in a way, is a confusing work that breaks with tradition for a symphony orchestra conductor who received a classical music education. Although Şallıel had a certain degree of acquaintance with joint projects where different genres are blended, this new project is not like any other -- particularly with its spiritual aspect, which Şallıel believes is the most important.

The preparation period for the project was also very interesting for Şallıel; he came across the most proficient names of their respective fields. "All I had to do was to bring them together," says Şallıel. "There were so many talented people around me, what I did was merely organize them."

The piece, which depicts Mevlana's life from the day he and his family took the journey that brought them from Balkh in Iran to Anatolia, features many acclaimed artists such as duduk player Ertan Tekin, clarinetist Hüsnü Şenlen-dirici, kanun player Aytaç Doğan, bağlama player İsmail Tunçbilek and DJ Murat Uncuoğlu.

Choreographed by Ziya Azazi, "Mevlana Celaleddin-i Rumi" also features a symphony orchestra, Turkish percussion band Akatay Project, and the Mevlana Education and Culture Foundation's Sufi Music Choir and Sema Ensemble.

Şallıel links this idea of many instruments, genres and voices coming together on the same stage with Mevlana's philosophy. "The person we are trying to embody here is so great that you cannot choose whether you have to depict this [story] through a ney, kudüm or an orchestra [performance], but his broadness tolerates all of these. All these [genres] carry a color from him.

The presence of DJ Murat Uncuoğlu denotes Mevlana's message of unity. 'We are all one.'"

"[This performance] also shows that Mevlana's message can be put across in all epochs and in every manner. You can communicate via a letter, a cell phone, a computer or a pigeon. In whatever manner it is said, the message is the same. Mevlana once told a priest: 'We were both in love with the same sea, but taken with two different rivers'."

‘Yılmaz's presence adds sincerity'
Şallıel believes the presence of actor and director Yılmaz Erdoğan [picture, left] as narrator has added sincerity to the performance.

"I was seeking a narrator to read out some of Rumi's poems and sayings at the performance. Later I talked to Erdoğan. My libretto is very clear, and Yılmaz has added warmth to the text. The libretto includes facts and information about Mevlana, but it became a very warm one with the somewhat Sufistic style of Yılmaz. He also made some slight changes to the verses."
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Sunday, June 17, 2007

'Operation Sadbavana' : A Slow-moving Peace Process
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The Sunday Times - Colombo, Sri Lanka
Saturday, June 16, 2007

Hundreds of thousands of Indian soldiers have been in Kashmir battling a separatist revolt since 1989. The war has claimed at least 42,000 lives, more than a third of them civilians, according to official figures. Rights groups say thousands more have disappeared.

Pakistan and India, which each hold the scenic Himalayan region in part but claim it in full, have been engaged in a slow-moving peace process since 2004 -- and the average daily body count has dropped as a result.

Once routine tit-for-tat shelling along the Line of Control has also halted, a relief for villagers close to the front. A trans-Kashmir bus service, launched in April 2005, has also been opened to connect divided families living in the two parts of Kashmir. But on the ground, it is still impossible to escape the overwhelming army presence.

Cordon and search operations continue, scores of youth are detained and interrogated each day, and local dailies carry headlines like “Troops thrash trader,” “Another custodial death” and “Protests against troop abuses.”

”It is a fact that no one wants them here. They should go,” said Mirwaiz Umar Farooq, the region's leading cleric and a moderate separatist.

“They want to win sympathy and they will never get that.”Srinagar shopkeeper Mohammed Yusuf agreed, saying “heart and minds” public works projects were failing to build bridges with a war-weary public. “Renovating our shrines will not serve any purpose. They will have to change their attitude at the ground level,” he said.

“These are the very troops who raid our houses with their shoes on and speak abusive language,” Yusuf complained.

The Indian army spokesman, however, said 'Operation Sadbavana' (goodwill) will continue -- of course “minus the renovating of shrines and mosques.”

”The army has been building schools, providing computers, constructing roads, bus stands and toilets. They have even been providing health care to hundreds in remote villages,” he said.

“People have also realised that they can prosper by leaps and bounds by continuing to be part of a great country like India.”
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On the Nature of the Divine
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By Michael White - The New York Times - U.S.A.

Saturday, June 16, 2007

The British composer John Tavener, a Christian, has written a work, “The Beautiful Names,” derived from the Koran.

He has often addressed spiritual topics, as in his seven-hour “Veil of the Temple” performed at Avery Fisher Hall in 2004.

Although English-born and -bred, Mr. Tavener, 63, turned in the 1970s to Eastern Orthodoxy, mirroring its stark, sluggish severity and tonal structures in his music, which, like his conversation, came with allusions to St. Dionysus the Areopagite, St. Gregory of Nyassa and other blissfully obscure divines.

His scores bore titles like “Diodia,” “Apocalypse” and “Agraphon.” And being slow, spare and repetitive, they earned him the affectionate but slightly mocking label Holy Minimalist, a term that survivors of his three-hour “Resurrection” or seven-hour “Veil of the Temple” might challenge.

Most of his output these days tends toward the huge, praising God across long time spans with enormous forces in vast spaces: more events than concerts. And the event to have its premiere in Westminster Cathedral on Tuesday could be considered one more example, but it does something likely to unsettle Mr. Tavener’s devotees. Instead of Christian words it sets a text from the Koran.

Given the times, this is newsworthy, and variants on “Tavener Goes Muslim” headlines have already surfaced in the British press, along with items that report his loss of faith and disenchantment with the Christian church. None of which is true.

But for Mr. Tavener to have written “The Beautiful Names,” a meditation on the 99 names of Allah, commissioned by no less than Prince Charles, for performance in a Roman Catholic cathedral does raise certain issues. For one, the charge of opportunism. For another, the risk that Muslims might not be appreciative.

“Well, if you look at it like that,” Mr. Tavener muttered in his endearingly distracted way recently, “I suppose it could be a can of worms I’m opening. I’ve no idea what Muslims will make of it. I haven’t really asked. But right after the London premiere, it’s being done in Istanbul, and no one seems to have raised any objection there.

“All I can say is, it’s a wonderful text — basically a list of names, some of majesty, some of mercy — that I’ve set as theophanies: as soundings-forth on the nature of the divine, with music that reflects their meaning. The Beneficent, the Opener, the Subtle. ...”

And the Dangerous?

“Yes, that’s one of the Names. The Koran can be quite fierce at times. Not that I’ve read it all, or in the original Arabic. That’s beyond me. But I have a brother who’s a Sufi, and he finds God in the Koran in ways he can’t in the Bible. A loving God. That’s there as well.”

(...)

His wandering into the Koran has taken time. According to the score “The Beautiful Names” was written several years ago. Has he been sitting on it, hesitating while political events unfolded?

No, he says. It has simply taken that long to fit together the large forces the piece requires, which include the Westminster Cathedral Choir, the BBC Symphony Orchestra and Chorus (strategically placed in different parts of the building), the baritone soloist John Mark Ainsley and the powwow drum, which is ceremonially struck every 99 beats: one beat for every Name.
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Studying the Heritage of Hadja Bahauddin Nakshband
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Uzreport - Turkish Weekly - Ankara, Turkey
Saturday, June 16, 2007

The President of the Republic of Uzbekistan Islam Karimov arrived in Bukhara region on 14 June to get acquainted with ongoing socioeconomic reforms here, UzA reported.

During the trip the Uzbek head paid special attention to the course of agricultural reforms, in particular, the work on further development of farm movement. On the territory of Sarbast-Kamol farm of Bukhara region, President Karimov talked with farmers, familiarized with conditions and available capacities for them.

President Islam Karimov visited the village of Afshona in Peshku district in Bukhara region, where great physician Avicenna was born. The president went to see the museum of the great scientist of Middle Ages and met with students of local medical college.

The Uzbek leader visited the memorial complex of Bahauddin Nakshband.

In the years of independence, large-scale work has been carried out in the sphere spirituality, enlightenment and education. Serious attention is paid to perpetuation of the memory of great ancestors, preservation and wide propaganda of their heritage.

Scientists are studying the heritage of Hadja Bahauddin Nakshband, an outstanding thinker, famous representative of Sufism, his invaluable contribution to the world intellectual treasury, as well as the effective application of this spiritual wealth in deed of upbringing young generation.

Viewing the complex, the Uzbek head appreciated the constructive work carried out during the years of independence, and noted the necessity of increasing orchards and flower gardens.

[picture: Bukhara, view of the Complex.
Uzbektourism http://www.uzbektourism.uz/]
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Opportunities for Flying
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Today's Zaman - Istanbul, Turkey

Friday, June 15, 2007

Circus theater to depict life, work of Mevlana

With activities going on all over the world and around Turkey as part of UNESCO's 2007 Year of Mevlana, private initiatives are also bringing forth new and interesting ways to publicize the life and work of the Sufi scholar and poet Mevlana Jelaladdin Rumi.
The most recent type of these initiatives is one not normally counted among Turkish stage arts: the circus theater. For the first time ever in Turkey, a circus theater that includes foreign artists will attempt to explain and explore the life of the famous 13th century Sufi saint.

Eurasia Circus Coordinator Sümer Dinçer told the Anatolia news agency that circus founder and leader Servet Yalçın had prepared a project aimed at explaining the life of Mevlana in Konya from the time the Turkish thinker moved there with his father when he was 7.

Dinçer, talking about the nature of the production, said it would include aspects both of classic theater and classic circus show techniques.

"Think about the story itself being presented in a theater style, but then add in the show opportunities that a circus provides. With a theater scene, you play a one-dimensional show aimed at the audience. But a circus is different; you have audience on all four sides that you are playing to. This in itself creates a difference.

It also adds a certain freedom. There are no worries about 'We can't turn our backs on the audience.' There are also the opportunities for flying that a circus provides. This is a project in which the audience will be able to see giant birds.

This is a project that everyone is excited about. It will be completely different from anything before; something completely different for the world, actually."

Dinçer said that the scenario for the Mevlana project had been written by Aylin Gündoğan Yalçın, and that rehearsals would start sometime in June. The Mevlana project is set to include not only Turkish artists, but participants from countries as varied as Iran, Syria, Egypt, Ukraine, Belarus, France and England.

"Even at this point, there are many countries asking if we can come and put on performances," he said. "We hope to be able to start performing this show at the end of the summer season."
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To Unfold into Love
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By Amy Jones - Take 5 Music/Asheville Citizen Times - NC, U.S.A.

Friday, June 15, 2007

Her parents immigrated from Iran, but singer-songwriter Haale was born in New York City and has a unique sound that mixes rock with Sufi rhythms.
Her look is exotic and her music is sometimes otherworldly, but the story of New York City- born Haale, daughter of Iranian immigrants, is uniquely American. Pronounced like the first and second syllables in hallelujah (a hard HA and a rolling leh) this singer and trance bandleader is giving thanks for two new records and a blossoming career.

She spoke with us by phone about her [coming] Wednesday night show at the Grey Eagle on Clingman Avenue.

Are the three of you mostly on the road these days or are you guys just out supporting the new discs?
Both EPs (“Morning’’ and “Paratrooper”) came out in January of this year, and we’re on our sixth tour since then. We want to support these, yeah, but we’re a band that will always be on the road at some level.

How long have you guys been working together?
The three of us, really just since January. Prior to that the drummer and I had played together for about a year. Before this I would be playing mostly NYC, and I would play with everyone; it was a real juggling act. The best musicians in New York are really busy. It’s so expensive to live there now. You have to want it. I think we’re in the zone now.

Your parents moved here from Iran. You were born in New York, and most of your immediate musical influences seem to come from psychedelic rock that you blend with Sufi rhythms and stories. The hodgepodge of it all is so American somehow. Can you tell us more?
You know it is a real American story with the immigrant parents and all, but I also have this connection to Native Americans. I have this real connection to nature. I’ve been sleeping under the stars when we camp, and we’re all playing music, beating a drum, connecting with the land. Sometimes my music gets called world music but it’s really American in that it’s part of all that cross-pollination that’s happened here. The music is very Persian as well.

Did you set out to make music from your roots?
I grew up not caring that I was Persian. Then at some point about eight years ago I was taking a class about poetry and translation. I picked a Persian author, learned to read and write the language and months later I thought it was time to sing it. I dove into this new language and music realized it is my life’s work. I wanted it to be a part of my vocabulary.

Are you talking about the Sufi influence?
Yes, Sufi mystical poetry and Sufi devotional music. Rumi is probably the most famous in this country. The message of these poets is so urgent. Everything is so rapid in our lives and their message is for each of us to unfold into love.

Your music is at times hypnotic. Are lyrics key to the trance?
I talk a lot during my show. By the end of it people get it. I will translate too, so that people get to understand more. I’m not interested in repeating a message. I don’t do dogma. I’m interested in creating art. Making something abstract enough so that people can identify with it the way they want to. I’d rather be a poet than a preacher. But within the poetry there is a strong message.

[picture: Haale. Wednesday (June 20) night at The Grey Eagle Music Hall in Asheville (NC, U.S.A.)].
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Saturday, June 16, 2007

The Water Never Ends
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By Dr. Robert Dickson Crane - TAM The American Muslim - Bridgeton, MO, U.S.A.

Friday, June 15, 2007

Compassionate Justice: Source of Convergence between Science and Religion - Part 9
Chapter sixteen - ‘Ilm al Taqwa: Recovering a Lost World.
--Links to all the chapters will be found in the Table of Contents [to reach the Table of Content, click on the title above].

For the Western reader, the most accessible source dealing with Islamic thought on science and religion from the perspective of ‘ilm al taqwa is the shelf of books that Syed Hossein Nasr has been publishing almost one every year for decades. He treats the subject within the paradigm of sophia perennis or the perennial wisdom of all religions, which is based on love.

This approach has been denigrated by Islamists who charge that Nasr ignores power as the ultimate reality in addressing the problems of the world. The answer from the perennial wisdom of humankind is that awareness of the transcendent through love can bestow a power greater than the mere human, so that individual persons and even entire communities can become, as the Qur’an puts it, the eyes, ears, and hands of God.

Professor Nasr can communicate easily with the Western world, because as a young man he earned advanced degrees at MIT and Harvard and wrote his Harvard doctoral dissertation on the History of Science and Learning. Upon his return to teach at the University of Tehran, he became Professor of the History of Science and Philosophy, and Chancellor of the Arya-Mehr University of Technology.

He is a link to the rich history of human spiritual endeavor in Central Asia, which can be considered the birthplace of ‘ilm al taqwa. All the major Sufi orders today, except the Shadhili from North Africa, descend from founders in this region and from a historical era almost totally unknown to modern students of science and religion.

In order to plumb the depths of the traditionalist contribution of classical Islam to human rights and to recognition of the consonance, complementarity, and mutual engagement of science and religion, one must return to this lost world. The best and only real guidebook is the monumental tome, published in 2005, Reason and Inspiration in Islam: Theology, Philosophy, and Mysticism in Muslim Thought, Essays in Honour of Hermann Landolt, ed. Todd Lawson, I. B. Tauris, London, New York, 558 pages.

This single book compiles the work of many scholars from the various branches of the Shi’a community, as well as others, who have devoted their lives to exploring a thousand years of scholarship on the interdependent roles of reason and inspiration in seeking out the Will of God.

This is a history of human understanding and response to changing conditions of life in a by-gone world so that both individual persons and the communities derived from them would have optimum conditions to remain close to God and thereby fulfill the purpose of their existence. Unlike the approach of Professor Nasr and his Western associates today, the marriage of science and religion in this lost world was essentially jurisprudential in a search for a higher reality of universal truth.

This collection of studies, each one a model of careful scholarship on the historical development of what is known as Shi’ism and especially of its Ismaili branch, is particularly interesting for the typical American who believes only what he or she has directly experienced and is attracted by the traditionalist Islamic emphasis on immediate awareness and love of God and on its natural manifestation in the search for universal justice.

This independence of spirit is why the typical American hanif or Muslim by primordial fitra, like those in Makkah fourteen hundred years ago, is skeptical of all institutionalized religion but eager to learn about the deeper insights that are obscured in all religions by identity politics. Of course, this is also the reason why ethnic and ideological Muslims from abroad distrust American converts and why this distrust, especially among African Americans, often is reciprocated.

This book edited by Todd Lawson is about mysticism, which is at the core of all religion and often includes lapses into superstition and polytheism, which is precisely why a major purpose of divine revelation is to bound it by right reason. The tension between these two capabilities of the human being, the esoteric and the exoteric, is what gave rise in this lost world to what might be considered for Sufism to be a Garden of Eden. In point of fact, though not by intention, this tour de force presents a chronological history of Sufism in four parts: Classical Islam, Early Medieval, Later Medieval, and Pre-Modern and Modern.

Following European custom, whereby the individual professor rather than the educational institution carries maximum prestige, this undertaking was prepared by the former students of Hermann Landolt in his honor as a foremost advocate of what nowadays is often termed the Sophia Perennis or science of the permanent things. Landolt started his career in his hometown, Basel, Switzerland, where he wrote his dissertation in its then dominant environment of post-war existentialism epitomized by Karl Jaspers and Karl Barth. These were identified as the two leading challengers to traditionalist thought by my professor at the time, the famous Roman Catholic theologian Romano Guardini at the University of Munich.

Landolt left this dead-end corner of intellectual life to earn another diplome under Henry Corbin at the Sorbonne. In 1964 he moved to McGill’s Institute of Islamic Studies in Montreal, Canada, founded ten years earlier by Wilfred Cantwell Smith, where Landolt spent the next thirty-five years as a “Persianist” exploring Islamic mysticism and the legacy of the leading mystical jurisprudents, ranging from Imam Jafar al Siddiq and the early Ismaili philosopher Abu Hasan al Hujwiri (Datta Ganjbaksh), the author of Kashf al Mahjub, which was the first history of tasawuf and introduced me to Islam during a two-week khalwa on top of a mountain in New Hampsure; to Suhrawardi, who led the cause of ijtihad during the Dark Ages of the Sunni naqba; and to William Chittick, Toshihiko Izutsu, Hossein Nasr, and many others, who carried the flame of sophia perennis in the face of the cold winds that threaten to bring on the intellectual winter of a global naqba today.

The studies in this book reflect amazing detective work by many young scholars uncovering the interconnections among the seminal spiritual and intellectual leaders of Islam’s Central and Southwest Asian heartland over the past more than one thousand years, as well as the historical backdrop of their respective eras.

Since this is a compilation by scholars for scholars, the reader would be well advised first to read Hossein Nasr’s chapter, “The Spectrum of Islam” in his book, The Heart of Islam, as background in order to distinguish the more orthodox intellectual and spiritual leaders among the Shi’a from the less orthodox and to identify the movements that originated from the latter but developed into sects within Islam and even into new religions outside its widest boundaries.

For example, the Akhbaris, similar to the literalist Ibn Hazm in the West, flourished in the middle Safavid period (early 1600s) but spawned the Shaykhi movement of the early Qajar period (1700s), which gave rise in the early 1800s to the new Bahai religion. This latter modernist response to Western cultural imperialism essentially reversed the mindset of its origins by developing the anti-intellectual piety of the Akhbaris into a form of 21st-century post-modernism.

The spiritual and intellectual leaders of this lost civilization met the severe challenges of their day, including the Mongol invasion, by seeking the higher realities (haqa’iq) of the permanent things that have always transcended the ephemeral. Like the great river of Heraclitus, discussed by Isma’il Raji al Faruqi in his book, Meta-Religion: A Framework for Islamic Moral Theology, which I was able to rescue from oblivion after his death and publish through my Islamic Institute for Strategic Studies, June 2000, 104 pages, one never steps in the same river again, but the water never ends.

New intellectual and political flotsam is always flowing out to the sea, but the life-giving water is always recycling at both its origin and end, bi ithni Allah.

The knowledge encompassed within the gathering of thirty-eight life-long scholars on Islam in this symposium on reason and inspiration should not be summarized but rather experienced.

Here it may be sufficient merely to suggest that a common thread running throughout the symposium is the insight that theology and philosophy are not ends but preliminary paths to mysticism, which in all the world religions is based on awareness that intuition is the highest human faculty, because it has immediate access to the highest reality, unlike sense experience and reason, which are merely mediate.

As Golam Dastagir, the Muslim professor of philosophy at Jahangirnagar in Dhaka defines it in his article “The Global Mystical Union,” The World and I, Winter 2006, “Knowledge by intuition is immediate in the sense that the subject is merged in the object. … The mystic’s first and foremost activity is love, which is higher even than acts of complete surrender and supreme perfection. …

This view is shared by the Christian mystic, Meister Eckhart, who says, ‘I receive God into myself, and through love I enter into Him. … We are transformed into God, so that we may know Him as He is’.”

“Truth can be understood,” Golam Dastagir writes, “not just in the remembrance of God through prayer but in the realization of God in the pure heart, in which there is no difference between the knower, the known, and the knowledge. Communion of the individual soul with the Divine is the ultimate goal of human life.”

“The methods of reaching this goal vary according to peoples’ customs, cultures, and beliefs,” but they are all converging from the outer circumference of a circle toward the center which is God. He concludes that the cause of most conflict in the world today is the failure of religious people to recognize this, which is why they are vulnerable to emotions of despair, fear, and hatred.

We fear the specter of growing chasm between civilizations in an age of advanced technologies, but Dastagir warns, “The human mind-set is at the center of all contentions and conflicts among divergent faiths and nations. … Our first and foremost endeavor should be to bridge the chasm between God and humanity.”

This is the joint task of ‘Ilm al Taqwa and ‘Ilm al ‘Adl, the science of compassionate justice, which is based on the cycle of apophatic spirituality (the via negativa associated with islam), cataphatic spirituality (the via positiva or “yes” stage of the spiritual path associated with iman), and the highest level of ihsan, which completes the dynamics of tawhid. This might also be termed ‘ilm al ‘adl al muta’aliy or transcendent law, similar to al hikmat al muta’aliyah of the seventeenth-century Shi’i polymath, Sadr al Din Shirazi, who, like Al Ghazali, created a major synthesis of philosophy, doctrinal Sufism or gnosis (‘irfan), and theology (kalam) in a new school that Syed Hossein Nasr has translated as “transcendent theosophy.”

The best modern translation of both ‘ilm al taqwa and ‘ilm al ‘adl, however, is simply “meta-law.” Metalaw is the substance of what America’s founders called “traditionalism.” In the 379-page Summer/Fall 1987 issue of Modern Age, which has long been the most sophisticated journal of functionally Islamic thought in America, Henry Regnery defined traditionalism in terms of its opposite, which for more than a century has been known as “modernism.”

Modernism, he says, is “the loss or rejection of the divine paradigm” and is “the desacralization of life.”

The golden rule of metalaw is not “do unto others as you would have done unto yourself,” but “Do unto others as they would have done unto them.” This is a higher level of law designed for relations among sentient beings wherever they live in the universe, because it is based on loving recognition that all beings are divinely created for the same purpose and that one’s capacity for self-knowledge is God’s greatest gift to every sentient being.

Metalaw is the basis of compassionate justice and is the ultimate arena for cooperation both within and among civilizations.

[picture: Professor H. S. Nasr]
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Friday, June 15, 2007

"I Can Only Be a Bridge"
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By Ali Pektas - Today's Zaman - Istanbul, Turkey

Thursday, June 14, 2007

Davod Azad brings Mevlana and Bach together for love

Although it might sound a little unusual to hear the names of 13th century Sufi scholar and poet Mevlana Celaleddin Rumi and 18th century classical composer Johann Sebastian Bach side by side in the same project, Iranian artist Davod Azad, taking inspiration from the universal tolerance of Mevlana, has brought these two names together centuries after their respective eras.

Azad, a performer and composer of classical Persian and Sufi music of international fame, was a guest of the İstanbul International Music Festival with a unique performance titled "The Divan of Rumi and Bach" at the Hagia Eirene Museum yesterday.

The concert -- which was specially introduced to the festival lineup to celebrate the 800th anniversary of the birth of Mevlana -- was a chance for audiences to discover how two personalities from diverse eras and geographies could come together in the same language of music and love.

Speaking to Today's Zaman ahead of the special concert piece, Azad said his music was solely based on "inspiration." He never spends hours and makes plans for any of his compositions.

"The Divan of Rumi and Bach" was also born of a moment of inspiration. One day when Azad was reading the verses of Rumi, a friend of his -- Melita Kalin, who had been conducting research on the music of Bach for some 15 years then -- was playing Bach on the piano. That was the day when Azad suddenly realized the harmony between the music of Bach and the poetry of Rumi, and subsequently decided to undertake this project.

In his unique blend of Mevlana's poetry with Bach's music, Azad also makes use of those aspects of traditional Persian music which are suitable for improvisation. He combines all the colors of Azeri music (which he says are "in his blood"), "tekke" or "khanqah" music, and Turkish music to create a unique sound.

In Azad's view, the musician should not stand out. "Inspiration comes when I feel like I am invisible," says the artist, adding: "I can only be a bridge between the audience and the [source of] 'unity.' If the musician cannot get rid of his or her ego, he cannot serve as a bridge."

Azad says the reason why he chose to perform Mevlana's poetry is "to become one."

He says Mevlana cannot be connected to a single place such as his birthplace in Iran or Konya in Turkey, where he lived and is buried. "Mevlana belongs to everybody. His valued ideas should be spread all over the world. That way we can create unity among all [humanity]...

Differences may exist among cultures, but eventually all cultures have similarities as they all stem from a single source -- which is love.
Their appearances might look different but all humans are the same in spirit."

The 44-year-old musician also has plans to combine Mevlana's verses with other famed composers such as Beethoven and Mozart in future projects.

A multicultural ensemble consisting of Matthew Barley on cello, Hiroko Imai on piano and Sirish Kumar on tabla accompanies Azad in his performance, constituting a beautiful reflection of Mevlana's teachings onstage.

"I did this intentionally," says Azad. This is his successful attempt to prove to the world how musicians from varied cultures and geographical locations can collaborate via a common language. Azad says he has gained much insight through this collaboration.

"I had the chance to get to know many different music styles. In the meantime, I regard as a gift the capability of existing with my own music in an atmosphere where everybody is equal."
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The Mystical Path of the Heart
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By Valerie Skonie - Sun Valley - Hailey, ID, U.S.A.

Wednesday, June 13, 2007

Saturday, June 30, 6:30 pm – 8:30 pm: The Mystical Path of the Heart

An introductory evening which will explore the mystical path of Sufism.

The evening is designed to give participants an opportunity to experience some of the esoteric teachings and practices given by Hazrat Inayat Khan when he traveled to the US and Europe from India in the early 1900s.

Inayat Khan is considered a saint among the people of India in the lineage of the Chisti Order. This order uses poetry and music to render the heart open and to teach to the non-linear part of our selves.

The evening will include a short lecture and discussion followed by Zikr and the Sufi Dances of Universal Peace. Zikr is also known as the practice of Remembering: both who we are and our relationship to the Divine Being.

A subsequent series of classes to explore these teachings and practices in depth will be scheduled at the completion of the introductory series.
This class is a repeat of the June 14 and June 20 sessions.
Valerie Skonie, Hailey resident, who has been a student of Sufism for nearly thirty years, will lead these classes.

Lane Schulz will lead the Sufi Dances of Universal Peace. Lane lives in Boise where she leads the dances regularly.

There is no charge for this event. Snacks will be served after the class.

For class location and other questions please call 788-6373 and leave your email address. Directions will be emailed to you prior to the event.
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Thursday, June 14, 2007

Militiant Sufism in Iraq
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By John Cole - Informed Comment - U.S.A.
Wednesday, June 13, 2007

The USG [United States Government] Open Source Center translates [on June 12] an interview with a spokesman for The Army of Men, a militant offshoot of an Arab branch of the Naqshbandi Order that fights the US military presence in Iraq.

Note that most Naqshbandis and indeed most Sufis are peaceful.

Naqshbandis are known as a Sunni Sufi Order and have been more "orthodox" and tied to legalism than most other mystic brotherhoods. Many Kurds are Naqshbandis, but they are pro-American.

--Summary [by USG] of the interview-- :
On 6 June, a jihadist website posted an interview from the Iraqi satellite channel, Al-Zawra, with Dr. Salah al-Din al-Ayyubi, the official spokesperson of the Sufi Iraqi insurgent group known as The Army of the Men of the Naqshabandi Order.

Dr. Salah al-Din al-Ayyubi described its formation, beliefs, and operational goals.

Dr. Ayyubi claimed the Naqshabandi Order has existed since the beginning of the US occupation of Iraq, and that its operations target "only the unbeliever occupier," not Iraqi citizens.

With regard to uniting with other insurgent groups, Dr. Ayyubi stated that uniting under one leadership would result in a decrease in operations due to lack of freedom. Regarding negotiations with "occupation forces" or the Iraqi Government, he stated that "we are not negotiators," and that "we want to force out the enemy."

The interview ended with a call from Dr. Ayyubi to force out the "unbelieving enemy" and to abstain from the political process until "the last occupying soldier gets out of our land."
--end of Summary--

To read the interview, translated by the United States Government and posted by Juan Cole (Director of Global Americana Institute), click on the title above or on the link below
http://tinyurl.com/2vs9ko
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Better Arrangements from the "Elder Brother"
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APP Associated Press of Pakistan - Islamabad, Pakistan

Tuesday, June 12, 2007

Pakistan Muslim League (PML) President Chaudhry Shujaat Hussain Tuesday said the issue of provincial autonomy was nearing its logical conclusion that would provide powers and revenues to the smaller provinces more than their expectations.

Talking to a delegation of Sindhi media persons headed by Dr. Jabbar Khattak in Murree, he said Punjab was always ready to play the role of an elder brother and every positive proposal in connection with promoting provincial harmony would be warmly welcomed.

Shujaat Hussain said that continuity of development process required of all the institutions to play their due role for national integration and harmony.

The PML President said that National Sufi Council has been established to promote message of Sufis and ensure more effective contact between their followers so that peace and harmony could be promoted among all segments of society.

Shujaat Hussain said that seminars would be held in Saivan Sharif, Bhitt Shah, Kot Mitthan and Kasur under the aegis of the Sufi council, which would help in promoting love, peace and brotherhood among the people.

He said the Auqaf Department, Punjab, would be directed to make better arrangements of stay for visitors (Zaireens) coming to shrines of Bibi Pak Daman and other saints from other provinces.
[picture: Mr Chaudhry Shujaat Hussain from www.storyofpakistan.com
http://tinyurl.com/ypt6lx]
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Wednesday, June 13, 2007

"Vocal Sculptures": Sound also Has Texture
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Today's Zaman - Istanbul, Turkey

Tuesday, June 12, 2007

Ferry performance by Berkan Karpat makes Rumi's verses tangible

Ferries are an important means of travel in İstanbul -- flanked on the north and south by seas, and divided by a strait.

Now ferries are serving as a stage for an extraordinary artistic performance that pays tribute to the 13th-century Sufi scholar and poet Mevlana Jelaluddin Rumi on the 800th anniversary of his birth, celebrated internationally as part of the 2007 Year of Mevlana.

The ferry, named after the late musician Barış Manço, which occasionally features concerts as part of festivals and special commemoration events, is currently hosting artist Berkan Karpat's latest project, which involves what the artist calls "vocal sculptures."

Karpat's project is based on the idea that sound also has texture, proving it is possible to touch sound. The starting point for the artist was the verses in Mevlana's book "Divan-ı Kebir."

Karpat concretizes verses recited by Mevlana scholar Houssein Mansouri from "Divan-ı Kebir" via various objects that differ in material and size. The objects, which absorb the music and sound, transform these acoustics into a visually recognizable concrete item. Rice, wood and rose oil are some of the materials utilized for the performance.

Another unique feature of the performance is its utilization of a speaker system that is capable of transmitting sound without distortion and loss as far as one kilometer away.

The event, titled "Making Contact with Mevlana on the Ferry," will run through June 17.

[picture: Beautiful Istanbul
http://www.tourismturkey.org/]
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Tuesday, June 12, 2007

To the Resilience of the Human Spirit
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CNN/IBN - New Delhi, India
Monday, June 11, 2007

For the first time ever, musicians as diverse as Sufi singers, monks and performers from Tamil Nadu came together to create music in Mumbai.

The Laya concert at the National Centre for Performing Arts (NCPA) was unique for the simple reason that it celebrated the love of music from six different countries.

But apart from the music, the bond that these musicians shared was that they were all survivors of the Tsunami that hit Asia on December 26, 2004, taking with it lakhs of lives.

The Laya Project was born when the producers from Earth Sync, a group based in Chennai, travelled through the Tsunami-affected villages of Myanmar, Indonesia, South India, Sri Lanka, Thailand and Maldives.

They collected music along the way that went beyond borders, religion and language.
"We went to look for common people who found joy in music even after a tsunami,” said the music producer of the Laya Project, Jacob Paul.

Another producer of the project, Sonya Mazumdar, said, “It’s amazing how similar we all are. We are from six different countries but we are so similar.”

The project is a tribute by these musicians to the resilience of the human spirit and is dedicated to the survivors of the Asian Tsunami.

The music CDs are already in stores, along with a unique DVD that chronicles the visual and musical journey through these countries.

[To watch the video, click on the title above]
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Soul on Fire: the Vastness of Our True Identity
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CNW Group - Canada
Monday, June 11, 2007

Canada honours 800-year-old Persian Sufi mystic and poet with "Soul on Fire: Passion and Poetry of Rumi" featuring soul-igniting readings by Coleman Barks, accompanied by acclaimed musicians David Darling and Marcus Wise, along with the transformational teaching of Andrew Harvey

As part of worldwide celebrations during UNESCO's 2007 "International Year of Rumi," Sacred Wisdom Centre is bringingRumi's timeless message of humanism and love to Canada with "Soul on Fire:Passion and Poetry of Rumi" on Saturday, June 30 at the River Run Centre in Guelph.

Come find out why this 13th c. Persian Sufi mystic is one of the mostpopular poets in North America today! Evening Rumi readings by Coleman Barks from his own exquisitely sensitive translations, accompanied by musicians David Darling (cello) and Marcus Wise(Indian drums), will honour the spiritual depth of Rumi's profound wisdom 800years since his birth, giving us glimpses of what Barks describes as "the vastness of our true identity."

In the past 30+ years, Barks has produced 18 volumes of Rumi's translated works, with The Essential Rumi selling more than half a million copies worldwide.

During the day, distinguished Rumi translator and author of 30+ books on spirituality Andrew Harvey - "powered by love" - will lead an experiential workshop on Rumi's passion and wisdom.

Dedicated to Sacred Activism, "the union of profound spiritual understanding and wise, radical action in the world," Harvey will also be leading a Rumi pilgrimage to Turkey with Wisdom University in the Fall of 2007.

Click on the title above for Event details.
Visit also: www.colemanbarks.com
www.andrewharvey.net
www.rumi-turningecstatic.com
and www.rumipoet.com for more info.
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The Inspiration Comes Straight from God
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By Charlotte Higgins - The Guardian - London, U.K.

Monday, June 11, 2007

Composer John Tavener tells Charlotte Higgins how his life-changing encounter with an Apache medicine man led him to write a piece praising Allah: 'The Beautiful Names'

The Beautiful Names is premiered at Westminster Cathedral, London, on June 19 by the BBC Symphony Orchestra and John-Mark Ainsley under Jiri Behlolavek.

John Tavener does not fit into his surroundings. This tall, etiolated, sunbaked 63-year-old with lanky shoulder-length blond hair, dressed in white linen trousers and shirt, looks as if he would be more appropriately placed in a setting of either John Pawson-style minimalism or byzantine, gilded splendour.

Not in a Dorset farmhouse with chickens in the garden, wellies on the bootstand, squashy sofas in the sitting room and a flatscreen telly. This is, after all, the composer of the night-long meditational piece The Veil of the Temple; and Song for Athene, which was performed at Diana's funeral and confirmed him as a household name.

He is the composer, in other words, of deeply spiritual, otherworldly, heartfelt, heartstopping music. Or bland, populist, new-age pap - depending on your point of view.

The next big moment for Tavener is the premiere of a large-scale piece for chorus and orchestra. It has been commissioned by the Prince of Wales, with whom he became friends more than a decade ago "because we share views on the importance of all religious traditions".

Again, what you will make of this one depends on your point of view. It's called The Beautiful Names, and it's a setting of the 99 names for Allah from the Qur'an. It's going to be performed in the Roman Catholic Westminster Cathedral next week, then a few days later in Istanbul.

Tavener is Greek Orthodox, to which he converted years ago after a Presbyterian upbringing.
You could see The Beautiful Names as a moving congruence of disparate religions in difficult times. Or then again, you could you assign it to roughly the same category as talking to your plants or having a manservant charge your toothbrush. I should be upfront here: my inclination is to go with the latter view.

Tavener, though, is fantastically disarming. When he starts talking about his music being written through divine agency and having visions brought on by chatting to Apache medicine men and what a bad idea the Enlightenment was, part of you wants to snort with derision.

The other part realises that, however batty it all sounds, he means it, and it's real for him. If a sense of conviction is a defence these days (and according to Tony Blair, it is), then at least you can say of Tavener: it's not phoney.

In recent years he has begun to broaden his spiritual horizons, he tells me over tea in the garden. "The path I follow is still an Orthodox path," he says.

"You have to follow a path, otherwise it becomes a little bit new-age, a bit of this, a bit of that ... But I suppose I had a dream vision after a visit from an Apache Indian medicine man. Many people when they've met American Indians have very strong dreams afterwards. I had a kind of vision from the Sufi Frithjof Schuon, who was a believer in the inner transcendent unity of all religions. And he seemed to be giving me permission, in a way, to work musically within other traditions. It wasn't that the Christian thing was failing me in any way, but rather that it enriched it by going into other things, particularly Hinduism and Sufism."

He is planning a choral piece called The Flood of Beauty, a setting of a 9th-century Sanskrit poem that "shows God in the feminine aspect, as beauty". There's also the premiere in Zurich this year of a Mass for the Feast of the Immaculate Conception. In his note on the piece, he writes: "I have used Latin, Sanskrit, Arabic, Aramaic, Greek, American Indian, German and Italian to express something of the divine effulgence of the feminine that the Mother of God has revealed to my soul."

(...)

The inspiration behind the work, behind the music, comes straight from God, Tavener believes; and it is the beauty of nature, and the world, that engenders his belief in the divine.

"When something extraordinary happens to me - or it doesn't have to be extraordinary, I mean if you see a wonderful sunset or plunge into the sea and swim - my immediate reaction has always been, and is even more so now, thank God for this.

The music is something outside myself, that's also inside myself ... Music and a sense of another presence always went hand in hand. Even when I was three, I would improvise music, and my maternal grandfather would act as an audience and used to applaud. I would imitate things like thunder and rain."

[picture: Allah is the all-inclusive Name of God;
calligraphy from:
M.R. Bawa Muhaiyaddeen
Asma'ulHusna, The 99 Beautiful Names of Allah
The Fellowship Press, Philadelphia, PA, U.S.A.
Westminster Cathedral's bell tower;
photo from: A Pitkin Cathedral Guide
ISBN 0-85372-674-4]
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Monday, June 11, 2007

"We Will Rebuild it"
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IANS - New Kerala - Kerala, India

Sunday, June 10, 2007

A gurdwara [door to the guru - Sikh place of worship] in Baghdad, built to commemorate Guru Nanak's visit to the city and severely damaged after the fall of Saddam Hussein, is all set to be rebuilt, a top Iraqi leader said.

Ahmed Chalabi, former deputy prime minister, visited the dilapidated Sikh shrine earlier this week under heavy military protection, worldsikhnews.com reported.

The leader said: "It (the gurdwara) has unfortunately been wiped out by fanatics because they thought it was against Islam."

It is believed that Guru Nanak visited Baghdad while on his way to Mecca and Medina and spent around four months in the city. During this period he is said to have held many discourses with Bahlol Dana, a sufi saint.

"We will rebuild it. It's shameful they cannot respect someone who has millions of followers," Chalabi said at the gurdwara site along the river Tigris.

[picture: The Harimandir Sahib (Golden Temple) in Northern India, is the most known Sikh gurdwara. http://en.wikipedia.org/wiki/Gurdwara]
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Mehdi Bouabdelli (1907 - 1992): A Scholar and His Library
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[From the French language press]:
Evocation: Mehdi Bouabdelli, un érudit de l’Algérie moderne

El Watan, Algeria - mercredi 6 juin 2006 – par Djamel Benachour

Mehdi Bouabdelli, a scholar from modern Algeria

A commemoration of Mehdi Bouabdelli (1907 -1992) born in a family whose lineage goes back to a Saint from Oued Rhiou, the Sufi Sidi Bouabdellah el Moughawfal (known also as Sheykh Iekbir), whose tariqa goes back to the Hafsid dynasty (1229 -1574 CE).

His whole work was dedicated to the knowledge and research of the Algerian and, by extension, Maghrebian personality while unearthing manuscripts of works of the past fallen in the collective lapse of memory.

After independence, he put his phenomenal knowledge at service of the Research Centre while taking part in several seminars worldwide and while contributing to the National Center for Historical Studies.

He published «Taghr el djouman fi ibtissam etaghr el wahrani » by Ahmed Ben Mohamed Errachidi (end of 18th century) in 1973 and « Dalil el hayran oua anis essahran fi madinet wahran» by Mohamed Benyoucef Ziani in 1978.

Mehdi Bouabdelli received a PhD Honoris causa from Oran University shortly before passing away.

What is required now is to enhance the library which he left.

[picture: Habibas Islands (Oran)
http://www.visitoran.com/photos/gallery.asp?id=habibas]
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