By Ruzik Tuzik, "Perspectives: Y.Z. Kami" - Huliq PR / Gagosian Gallery - Hickory, NC, USA
Friday, July 4, 2008
The Perspectives series of contemporary Asian art resumes with an exhibition of new works by artist Y.Z. Kami.
Born in Tehran, Y.Z. Kami draws from Eastern and Western aesthetic and mystical traditions to create large-scale works that explore the movement between the physical world and the inward spiritual journey.
A student of philosophy, he developed a particular interest in the human face and its relationship to the divine which has inspired several groups of portraits.
The exhibition will be on view through October 13, 2008.
This exhibition presents two monumental portraits from his current series depicting individuals in meditation. Each subject, rendered with a soft focus and simple palette, emanates a sense of peace and introspection.
In the third and largest work on view, poetry and religious architecture also give form to the divine.
Using collage and verses from the Mathnawi of Jalaluddin Rumi (1207-1273), the artist arranges words like bricks in a spiral of calligraphy that invokes the feeling of looking through a dome or the ecstatic movement of a ritual dance.
Y.Z. Kami at Freer Gallery of Art / Arthur M. Sackler Gallery
Smithsonian Institution, Washington, D.C.
[Visit the Freer & Sackler Galleries http://www.asia.si.edu/default.htm
Visit the Gagosian Gallery Website http://www.gagosian.com/news/2008_3_20_yz-kami-at-the-arthur-m-sac/].
Wednesday, July 09, 2008
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Wednesday, July 09, 2008
Like Bricks in a Spiral
By Ruzik Tuzik, "Perspectives: Y.Z. Kami" - Huliq PR / Gagosian Gallery - Hickory, NC, USA
Friday, July 4, 2008
The Perspectives series of contemporary Asian art resumes with an exhibition of new works by artist Y.Z. Kami.
Born in Tehran, Y.Z. Kami draws from Eastern and Western aesthetic and mystical traditions to create large-scale works that explore the movement between the physical world and the inward spiritual journey.
A student of philosophy, he developed a particular interest in the human face and its relationship to the divine which has inspired several groups of portraits.
The exhibition will be on view through October 13, 2008.
This exhibition presents two monumental portraits from his current series depicting individuals in meditation. Each subject, rendered with a soft focus and simple palette, emanates a sense of peace and introspection.
In the third and largest work on view, poetry and religious architecture also give form to the divine.
Using collage and verses from the Mathnawi of Jalaluddin Rumi (1207-1273), the artist arranges words like bricks in a spiral of calligraphy that invokes the feeling of looking through a dome or the ecstatic movement of a ritual dance.
Y.Z. Kami at Freer Gallery of Art / Arthur M. Sackler Gallery
Smithsonian Institution, Washington, D.C.
[Visit the Freer & Sackler Galleries http://www.asia.si.edu/default.htm
Visit the Gagosian Gallery Website http://www.gagosian.com/news/2008_3_20_yz-kami-at-the-arthur-m-sac/].
Friday, July 4, 2008
The Perspectives series of contemporary Asian art resumes with an exhibition of new works by artist Y.Z. Kami.
Born in Tehran, Y.Z. Kami draws from Eastern and Western aesthetic and mystical traditions to create large-scale works that explore the movement between the physical world and the inward spiritual journey.
A student of philosophy, he developed a particular interest in the human face and its relationship to the divine which has inspired several groups of portraits.
The exhibition will be on view through October 13, 2008.
This exhibition presents two monumental portraits from his current series depicting individuals in meditation. Each subject, rendered with a soft focus and simple palette, emanates a sense of peace and introspection.
In the third and largest work on view, poetry and religious architecture also give form to the divine.
Using collage and verses from the Mathnawi of Jalaluddin Rumi (1207-1273), the artist arranges words like bricks in a spiral of calligraphy that invokes the feeling of looking through a dome or the ecstatic movement of a ritual dance.
Y.Z. Kami at Freer Gallery of Art / Arthur M. Sackler Gallery
Smithsonian Institution, Washington, D.C.
[Visit the Freer & Sackler Galleries http://www.asia.si.edu/default.htm
Visit the Gagosian Gallery Website http://www.gagosian.com/news/2008_3_20_yz-kami-at-the-arthur-m-sac/].
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